Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Stran
... Understanding of Music , by Max Schoen , and Native Son , by Richard Wright ; The Hogarth Press , Ltd. , The Artist and Psycho - Analysis , by Roger Fry ; Henry Holt and Company , Inc. , Understanding Poetry , by Cleanth Brooks and ...
... Understanding of Music , by Max Schoen , and Native Son , by Richard Wright ; The Hogarth Press , Ltd. , The Artist and Psycho - Analysis , by Roger Fry ; Henry Holt and Company , Inc. , Understanding Poetry , by Cleanth Brooks and ...
Stran 21
... understanding and controlling nature ; but the third communi- cates desires in a sensuous - imaginative form in order to invite the reader to engage in an imaginative experience of his own . There is no language without syntax , Parker ...
... understanding and controlling nature ; but the third communi- cates desires in a sensuous - imaginative form in order to invite the reader to engage in an imaginative experience of his own . There is no language without syntax , Parker ...
Stran 114
... understanding ; this is part of its definition . But the theory that we are now considering seems to violate this very feature of language . With nothing but purely personal , arbi- trary , and capricious symbols and references , there ...
... understanding ; this is part of its definition . But the theory that we are now considering seems to violate this very feature of language . With nothing but purely personal , arbi- trary , and capricious symbols and references , there ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole