Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 60
Stran 10
... whole . Life has little enough to offer , but in its best moments , in the aesthetic experi- ence , for instance , which is so very different from our ordinary activities that Bell designates it as " above life , " life can justify it ...
... whole . Life has little enough to offer , but in its best moments , in the aesthetic experi- ence , for instance , which is so very different from our ordinary activities that Bell designates it as " above life , " life can justify it ...
Stran 18
... whole art of painting what the song is to music , a hybrid , impure art.43 Unlike Bell , who distinguishes between ... whole organic unity.45 Fry's Theory of Art Appreciation Fry's theory of the appreciation of art is on the whole a ...
... whole art of painting what the song is to music , a hybrid , impure art.43 Unlike Bell , who distinguishes between ... whole organic unity.45 Fry's Theory of Art Appreciation Fry's theory of the appreciation of art is on the whole a ...
Stran 174
... whole theory of evocation of emotions or indul- gence as the true mode of appreciation may be challenged . To appreciate art , Tolstoy and so many others in the modern world insist , is to be moved by it through an actual participation ...
... whole theory of evocation of emotions or indul- gence as the true mode of appreciation may be challenged . To appreciate art , Tolstoy and so many others in the modern world insist , is to be moved by it through an actual participation ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole