Physical Actor Training: What Shall I Do with the Body They Gave Me?Taylor & Francis, 8. dec. 2016 - 224 strani If, as an actor, your body is your 'instrument' - and the only way you can express the internal impulses of the character you’re playing - what happens when the body-mind, ‘psychophysical’ connection is lost? Andrei Droznin, Russia's foremost teacher of physical actor training, calls this loss the 'desomatization' of the human body, and argues that these connections urgently need to be restored for full expressivity. This is a genuinely unique book which links theory to practice by a man who has worked at the very top of Russian theatre; a movement specialist who has taught at the Moscow Art Theatre as well as drama schools all over the world. Beautifully translated by Natasha Fedorova, this volume will excite and inspire a new generation of English-language readers. |
Vsebina
1 Introduction | 1 |
2 The actors external technique | 3 |
3 The actors external technique continued | 15 |
4 The actors external technique conclusion | 28 |
5 The body as a material medium of acting | 38 |
6 Desomatisation loss of functions | 46 |
7 Desomatisation selfdestruction | 62 |
8 Body and soul in life | 74 |
13 Vakhtangov | 122 |
14 The others time to search | 132 |
15 After the Titans time to lose | 140 |
16 Drama school in the age of pluralism | 149 |
17 Physical universalism | 160 |
18 Phobia of the physical | 167 |
19 Phobia of the physical continued | 176 |
20 On the actors external technique again dropout of the external technique | 187 |
9 Body and soul in art | 84 |
10 Stanislavski | 92 |
11 Meyerhold | 102 |
12 The problem between Stanislavski and Meyerhold | 114 |
21 Physical actor training time to gather stones | 196 |
22 Instead of an epilogue | 201 |
204 | |
Druge izdaje - Prikaži vse
Physical Actor Training: What Shall I Do with the Body They Gave Me? Andrei Droznin Omejen predogled - 2016 |