Physical Actor Training: What Shall I Do with the Body They Gave Me?

Sprednja platnica
Taylor & Francis, 8. dec. 2016 - 224 strani

If, as an actor, your body is your 'instrument' - and the only way you can express the internal impulses of the character you’re playing - what happens when the body-mind, ‘psychophysical’ connection is lost?

Andrei Droznin, Russia's foremost teacher of physical actor training, calls this loss the 'desomatization' of the human body, and argues that these connections urgently need to be restored for full expressivity.

This is a genuinely unique book which links theory to practice by a man who has worked at the very top of Russian theatre; a movement specialist who has taught at the Moscow Art Theatre as well as drama schools all over the world. Beautifully translated by Natasha Fedorova, this volume will excite and inspire a new generation of English-language readers.

 

Vsebina

1 Introduction
1
2 The actors external technique
3
3 The actors external technique continued
15
4 The actors external technique conclusion
28
5 The body as a material medium of acting
38
6 Desomatisation loss of functions
46
7 Desomatisation selfdestruction
62
8 Body and soul in life
74
13 Vakhtangov
122
14 The others time to search
132
15 After the Titans time to lose
140
16 Drama school in the age of pluralism
149
17 Physical universalism
160
18 Phobia of the physical
167
19 Phobia of the physical continued
176
20 On the actors external technique again dropout of the external technique
187

9 Body and soul in art
84
10 Stanislavski
92
11 Meyerhold
102
12 The problem between Stanislavski and Meyerhold
114
21 Physical actor training time to gather stones
196
22 Instead of an epilogue
201
Index
204
Avtorske pravice

Druge izdaje - Prikaži vse

Pogosti izrazi in povedi

O avtorju (2016)

One of the most famous movement coaches in Russia, Droznin was among the founding members of the Tabakov Studio in Moscow and the Stanislavsky Summer School in Cambridge, Massachusetts.In addition to serving as Professor of Stage Movement at the MXAT School and the Vakhtangov Theatre Institute in Moscow, Mr. Droznin has taught in the Institute of Advanced Theater Training at the American Repertory Theatre in Harvard and Carnegie-Mellon University(USA) and directed movement in more than 140 theatre productions and movies in the former Soviet Union and abroad.

Natalia Fedorova was Andrey Droznin’s graduate student and long-term assistant. They have taught together in the Vakhtangov Theatre Institute, the Moscow Art Theatre School in Russia and in Stanislavsky Summer School in the USA. Natalia currently teaches Droznin’s method of stage movement in the Royal Central School of Speech and Drama and Rose Bruford College in London.

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