Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 83
Stran 45
... appear ? you have still to determine this . What do you mean ? I mean , that you may look at a bed from dif- ferent points of view , obliquely or directly or from any other point of view , and the bed will appear different , but there ...
... appear ? you have still to determine this . What do you mean ? I mean , that you may look at a bed from dif- ferent points of view , obliquely or directly or from any other point of view , and the bed will appear different , but there ...
Stran 262
... appear in compari- son of the other , where no superiority is sup- posed from the choice of the subject . The scene shall be the same , the difference only will be in the manner in which it is presented to the eye . With what additional ...
... appear in compari- son of the other , where no superiority is sup- posed from the choice of the subject . The scene shall be the same , the difference only will be in the manner in which it is presented to the eye . With what additional ...
Stran 302
... appear , the rest is dis- tinguished throughout only by that sort of tin- gling sensation to the eye , which the body feels within itself . This is gusto . Vandyke's flesh- colour , though it has great truth and purity , wants gusto ...
... appear , the rest is dis- tinguished throughout only by that sort of tin- gling sensation to the eye , which the body feels within itself . This is gusto . Vandyke's flesh- colour , though it has great truth and purity , wants gusto ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing