Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 56
Stran 204
... considered . " If Johnson presented the classical charge against the " metaphysical " poets , he also offered at least the basis for the classical defense of them . He did not , it is true , view them as ideal models . His concern was ...
... considered . " If Johnson presented the classical charge against the " metaphysical " poets , he also offered at least the basis for the classical defense of them . He did not , it is true , view them as ideal models . His concern was ...
Stran 218
... considered as wit which is at once natural and new , that which , though not obvious , is , upon its first production , acknowl- edged to be just ; if it be that which he that never found it wonders how he missed , to wit of this kind ...
... considered as wit which is at once natural and new , that which , though not obvious , is , upon its first production , acknowl- edged to be just ; if it be that which he that never found it wonders how he missed , to wit of this kind ...
Stran 415
... considered , enters in every way into the intellectual life of man , and his thesis that nations or peoples can be best understood and evaluated by the character of their literature . Hence also his attempt to connect the study of ...
... considered , enters in every way into the intellectual life of man , and his thesis that nations or peoples can be best understood and evaluated by the character of their literature . Hence also his attempt to connect the study of ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing