Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 61
Stran 93
... excellent orator , came not among them upon trust of figurative speeches or cunning insinua- tions , and much less ... excellent resting place for all worldly learning to make his end of , so Poetry , being the most familiar to teach it ...
... excellent orator , came not among them upon trust of figurative speeches or cunning insinua- tions , and much less ... excellent resting place for all worldly learning to make his end of , so Poetry , being the most familiar to teach it ...
Stran 446
... excellent one by his treatment of it ; he may indeed compel us to admire his skill , but his work will possess , within itself , an incur- able defect . The Poet , then , has in the first place to select an excellent action ; and what ...
... excellent one by his treatment of it ; he may indeed compel us to admire his skill , but his work will possess , within itself , an incur- able defect . The Poet , then , has in the first place to select an excellent action ; and what ...
Stran 447
... excellent subject could an excellent Poem be constructed . A few actions , therefore , eminently adapted for tragedy , maintained almost exclusive possession of the Greek tragic stage ; their significance appeared inexhaustible ; they ...
... excellent subject could an excellent Poem be constructed . A few actions , therefore , eminently adapted for tragedy , maintained almost exclusive possession of the Greek tragic stage ; their significance appeared inexhaustible ; they ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing