Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 69
Stran 291
... experience and good sense , and as such are automatically felt in the actual process of creating or responding to art . What is needed , then , is the ability to absorb knowledge and experience , and the ability to apply them ...
... experience and good sense , and as such are automatically felt in the actual process of creating or responding to art . What is needed , then , is the ability to absorb knowledge and experience , and the ability to apply them ...
Stran 442
... experience treated in the various forms of poetry - the drama , the lyric , philosophical verse , the epic , satire is a concrete indication . Poetry can thus include the results , the intellectual insights and conclusions , of science ...
... experience treated in the various forms of poetry - the drama , the lyric , philosophical verse , the epic , satire is a concrete indication . Poetry can thus include the results , the intellectual insights and conclusions , of science ...
Stran 532
... experience ; the ordi- nary man's experience is chaotic , irregular , frag- mentary . The latter falls in love , or reads Spi- noza , and these two experiences have nothing to do with each other , or with the noise of the typewriter or ...
... experience ; the ordi- nary man's experience is chaotic , irregular , frag- mentary . The latter falls in love , or reads Spi- noza , and these two experiences have nothing to do with each other , or with the noise of the typewriter or ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing