Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 286
... feeling is localized largely in self . But in those who possess it , the imagination can broaden and direct feeling , lifting it beyond self , and riveting it to other objects . Hence he took issue with Mme . de Staël's remark that ...
... feeling is localized largely in self . But in those who possess it , the imagination can broaden and direct feeling , lifting it beyond self , and riveting it to other objects . Hence he took issue with Mme . de Staël's remark that ...
Stran 334
... feelings . Now the word " feeling " appears very frequently in Wordsworth , as it does in many other romantic writers ; but it does not always mean the same thing , even though the late Irving Babbitt tended to think so . As the term is ...
... feelings . Now the word " feeling " appears very frequently in Wordsworth , as it does in many other romantic writers ; but it does not always mean the same thing , even though the late Irving Babbitt tended to think so . As the term is ...
Stran 516
... feeling for art is neither perverted nor atrophied , and it clearly distinguishes the feeling produced by art from all other feelings . The chief peculiarity of this feeling is that the receiver of a true artistic impression is so ...
... feeling for art is neither perverted nor atrophied , and it clearly distinguishes the feeling produced by art from all other feelings . The chief peculiarity of this feeling is that the receiver of a true artistic impression is so ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing