Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 81
Stran 205
... imagination was similar . It is frequently said that John- son " distrusted " the imagination , but what he distrusted was the use of the imagination as a practical , moral guide . For him the term still meant " image- making , " not ...
... imagination was similar . It is frequently said that John- son " distrusted " the imagination , but what he distrusted was the use of the imagination as a practical , moral guide . For him the term still meant " image- making , " not ...
Stran 274
... imagination , based on empirical analysis , is best exemplified in the writing of Hazlitt and Wordsworth , while to Coleridge the imaginative process includes even further func- tions of mind . This general conception of the imagination ...
... imagination , based on empirical analysis , is best exemplified in the writing of Hazlitt and Wordsworth , while to Coleridge the imaginative process includes even further func- tions of mind . This general conception of the imagination ...
Stran 554
... imagination , he con- cluded wrongly that soul and imagination are romantic monopolies . Like the pseudo - classicist , he inclines to identify high seriousness in art , something that can only come from the exercise of the ethical ...
... imagination , he con- cluded wrongly that soul and imagination are romantic monopolies . Like the pseudo - classicist , he inclines to identify high seriousness in art , something that can only come from the exercise of the ethical ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing