Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 80
Stran 124
... importance , the greatest critical exponent of neoclassicism . For , to begin with , Dryden did not deal with the ultimate problems of literature . He tended , instead ... important advocate for this movement . The new meaning 124 DRYDEN.
... importance , the greatest critical exponent of neoclassicism . For , to begin with , Dryden did not deal with the ultimate problems of literature . He tended , instead ... important advocate for this movement . The new meaning 124 DRYDEN.
Stran 337
... importance of the subject . The subject is indeed important ! For the human mind is ca- pable of being excited without the application of gross and violent stimulants ; and he must have a very faint perception of its beauty and dignity ...
... importance of the subject . The subject is indeed important ! For the human mind is ca- pable of being excited without the application of gross and violent stimulants ; and he must have a very faint perception of its beauty and dignity ...
Stran 450
... important for him to know : -the all- importance of the choice of a subject ; the neces- sity of accurate construction ; and the subordi- nate character of expression . He will learn from them how unspeakably superior is the effect of ...
... important for him to know : -the all- importance of the choice of a subject ; the neces- sity of accurate construction ; and the subordi- nate character of expression . He will learn from them how unspeakably superior is the effect of ...
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INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing