Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 81
Stran 130
... least , I Iwould not have them worse used than one of their brethren was by Sylla the Dictator : - Quem in concione vidimus ( says Tully ) , cum ei libellum malus poeta de populo subjecisset , quod epigramma in eum fecisset tantummodo ...
... least , I Iwould not have them worse used than one of their brethren was by Sylla the Dictator : - Quem in concione vidimus ( says Tully ) , cum ei libellum malus poeta de populo subjecisset , quod epigramma in eum fecisset tantummodo ...
Stran 204
... least necessary to read and think . " The variety of " wit ” that he found in the " metaphysical " poets , moreover , was one that he described as " more rigorously and philosophically considered . " If Johnson presented the classical ...
... least necessary to read and think . " The variety of " wit ” that he found in the " metaphysical " poets , moreover , was one that he described as " more rigorously and philosophically considered . " If Johnson presented the classical ...
Stran 219
... least From the Life of Dryden D RYDEN may be properly considered as the father of English criticism , as the writer who first taught us to determine upon principles the merit of composition . Of our former poets , the greatest dramatist ...
... least From the Life of Dryden D RYDEN may be properly considered as the father of English criticism , as the writer who first taught us to determine upon principles the merit of composition . Of our former poets , the greatest dramatist ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing