Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 79
Stran 466
... Light . Culture and Anarchy was first published in 1869 , though various chapters had appeared as articles in periodicals during the preceding two years . The present Introduction and first chapter ( " Sweetness and Light " ) were ...
... Light . Culture and Anarchy was first published in 1869 , though various chapters had appeared as articles in periodicals during the preceding two years . The present Introduction and first chapter ( " Sweetness and Light " ) were ...
Stran 472
... light . He who works for sweet- ness and light , works to make reason and the will of God prevail . He who works for machinery , he who works for hatred , works only for con- fusion . Culture looks beyond machinery , cul- ture hates ...
... light . He who works for sweet- ness and light , works to make reason and the will of God prevail . He who works for machinery , he who works for hatred , works only for con- fusion . Culture looks beyond machinery , cul- ture hates ...
Stran 569
... light of ordinary day , never the light that never was on land or sea . It is always perfectly human and never ex- aggerated : man is always man and never a god . But the awful result of romanticism is that , accustomed to this strange ...
... light of ordinary day , never the light that never was on land or sea . It is always perfectly human and never ex- aggerated : man is always man and never a god . But the awful result of romanticism is that , accustomed to this strange ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing