Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 69
Stran 285
... living character of its object into telling expression . This emphasis on strong emotion in art is , of course , characteristically romantic . But the stress is on emotion turned outward toward its object , to the external world , not ...
... living character of its object into telling expression . This emphasis on strong emotion in art is , of course , characteristically romantic . But the stress is on emotion turned outward toward its object , to the external world , not ...
Stran 396
... living organic it is not mere regularity of form , which would produce a sense of formality ; neither is it sub- servient to any thing beside itself . It may be present in a disagreeable object , in which the proportion of the parts ...
... living organic it is not mere regularity of form , which would produce a sense of formality ; neither is it sub- servient to any thing beside itself . It may be present in a disagreeable object , in which the proportion of the parts ...
Stran 441
... living , reacting creature . It thus ministers to that sincerity , to that final honesty of character , in which the mind and the heart are one - in which the heart follows and completes the dictates of the mind , and knowledge ...
... living , reacting creature . It thus ministers to that sincerity , to that final honesty of character , in which the mind and the heart are one - in which the heart follows and completes the dictates of the mind , and knowledge ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing