Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 245
... look at you ? " says an old epigram- matist to a misshapen man . Many a modern artist would say , " No matter how misshapen you are , I will paint you . Though people may not like to look at you , they will be glad to look at my picture ...
... look at you ? " says an old epigram- matist to a misshapen man . Many a modern artist would say , " No matter how misshapen you are , I will paint you . Though people may not like to look at you , they will be glad to look at my picture ...
Stran 327
... look in different cir- cumstances may convey a totally different ex- pression . Thus the eye turned round to look at you without turning the head indicates generally slyness or suspicion : but if this is combined with large expanded eye ...
... look in different cir- cumstances may convey a totally different ex- pression . Thus the eye turned round to look at you without turning the head indicates generally slyness or suspicion : but if this is combined with large expanded eye ...
Stran 469
... looks and 4 See , for example , On the Function of Criticism , above , p . 459 . behaviour of the English abroad , urges that the English ideal is that every one should be free to do and to look just as he likes . But culture ...
... looks and 4 See , for example , On the Function of Criticism , above , p . 459 . behaviour of the English abroad , urges that the English ideal is that every one should be free to do and to look just as he likes . But culture ...
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INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing