Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 77
Stran 40
... matter , of concrete circumstances , Plato viewed variously . At times he regarded it as a mere " shadow " of reality -a shadow that we feel is there only because our own minds are not suffi- ciently awake and attuned to what is real ...
... matter , of concrete circumstances , Plato viewed variously . At times he regarded it as a mere " shadow " of reality -a shadow that we feel is there only because our own minds are not suffi- ciently awake and attuned to what is real ...
Stran 102
... matter which never was begotten by knowl- edge . For , there being two principal parts - mat- ter to be expressed by words and words to ex- press the matter - in neither we use Art or Imi- tation rightly . Our matter is Quodlibet indeed ...
... matter which never was begotten by knowl- edge . For , there being two principal parts - mat- ter to be expressed by words and words to ex- press the matter - in neither we use Art or Imi- tation rightly . Our matter is Quodlibet indeed ...
Stran 112
... matter ; then choose his words , and examine the weight of either . Then take care in placing , and ranking both matter , and words , that the composition be comely ; and to doe this with diligence , and often . No matter how slow the ...
... matter ; then choose his words , and examine the weight of either . Then take care in placing , and ranking both matter , and words , that the composition be comely ; and to doe this with diligence , and often . No matter how slow the ...
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INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing