Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 43
... mind , so the lyric poets are not in their right mind when they are composing their beautiful strains : but when fall- ing under the power of music and metre they are inspired and possessed ; like Bacchic maid- ens who draw milk and ...
... mind , so the lyric poets are not in their right mind when they are composing their beautiful strains : but when fall- ing under the power of music and metre they are inspired and possessed ; like Bacchic maid- ens who draw milk and ...
Stran 257
... mind of the artist ; and he works from them with as much certainty as if they were embodied , as I may say , upon paper . It is true , these refined principles cannot be always made palpable , like the more gross rules of art ; yet it ...
... mind of the artist ; and he works from them with as much certainty as if they were embodied , as I may say , upon paper . It is true , these refined principles cannot be always made palpable , like the more gross rules of art ; yet it ...
Stran 458
... mind on all subjects which it touches . By steadily refusing to lend itself to any of those ulterior , political ... mind the second ; so much play of mind as is compatible with the prosecution of those practical ends is all that is ...
... mind on all subjects which it touches . By steadily refusing to lend itself to any of those ulterior , political ... mind the second ; so much play of mind as is compatible with the prosecution of those practical ends is all that is ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing