Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 89
Stran 227
... never found an oppor- tunity to gratify it , did not leave him till his life declined . Of his intellectual character , the constituent and fundamental principle was good sense , a prompt and intuitive perception of consonance and ...
... never found an oppor- tunity to gratify it , did not leave him till his life declined . Of his intellectual character , the constituent and fundamental principle was good sense , a prompt and intuitive perception of consonance and ...
Stran 228
... never reduced to the necessity of soliciting the sun to shine upon a birthday , of calling the Graces and Virtues to a wedding , or of saying what multitudes have said before him . When he could produce nothing new , he was at liberty ...
... never reduced to the necessity of soliciting the sun to shine upon a birthday , of calling the Graces and Virtues to a wedding , or of saying what multitudes have said before him . When he could produce nothing new , he was at liberty ...
Stran 569
... never the light that never was on land or sea . It is always perfectly human and never ex- aggerated : man is always man and never a god . But the awful result of romanticism is that , accustomed to this strange light , you can never ...
... never the light that never was on land or sea . It is always perfectly human and never ex- aggerated : man is always man and never a god . But the awful result of romanticism is that , accustomed to this strange light , you can never ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing