Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 79
Stran 3
... original " in any number of ways . For example , to react counter to the truth in every respect is , after all , a form of " originality . " On the other hand , if “ original ” is equated with “ unusual ” or “ rare , " nothing is more ...
... original " in any number of ways . For example , to react counter to the truth in every respect is , after all , a form of " originality . " On the other hand , if “ original ” is equated with “ unusual ” or “ rare , " nothing is more ...
Stran 240
... original and unique ; and originality and uniqueness increasingly take on the connotation of greatness . Critical works with titles like An Essay on Genius , or On Original Genius indicate the shift in emphasis . They also illustrate ...
... original and unique ; and originality and uniqueness increasingly take on the connotation of greatness . Critical works with titles like An Essay on Genius , or On Original Genius indicate the shift in emphasis . They also illustrate ...
Stran 241
... Original Composition I MITATIONS are of two kinds : one of nature , one of authors . The first we call originals , and confine the term imitation to the second . I shall not enter into the curious inquiry of what is , or is not ...
... Original Composition I MITATIONS are of two kinds : one of nature , one of authors . The first we call originals , and confine the term imitation to the second . I shall not enter into the curious inquiry of what is , or is not ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing