Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 76
Stran 196
... pleasure . " These instances ( and many more might be collected ) are sufficient to afford us some in- sight into the analogy of nature , and to show us , that the pleasure which poets , orators , and musicians give us , by exciting ...
... pleasure . " These instances ( and many more might be collected ) are sufficient to afford us some in- sight into the analogy of nature , and to show us , that the pleasure which poets , orators , and musicians give us , by exciting ...
Stran 343
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
Stran 344
... pleasure an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but continual and regular impulses of pleasurable surprise from the metrical arrange- ment . On the other hand ( what it ...
... pleasure an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but continual and regular impulses of pleasurable surprise from the metrical arrange- ment . On the other hand ( what it ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing