Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 81
Stran 344
... Reader , those passions , if his Reader's mind be sound and vigorous , should always be accompanied with an overbalance of pleasure . Now the music of harmonious metrical language , the sense of difficulty overcome , and the blind ...
... Reader , those passions , if his Reader's mind be sound and vigorous , should always be accompanied with an overbalance of pleasure . Now the music of harmonious metrical language , the sense of difficulty overcome , and the blind ...
Stran 346
... Reader then abide , independently , by his own feelings , and , if he finds himself affected , let him not suffer such conjectures to interfere with his pleasure . If an Author , by any single composition , has impressed us with respect ...
... Reader then abide , independently , by his own feelings , and , if he finds himself affected , let him not suffer such conjectures to interfere with his pleasure . If an Author , by any single composition , has impressed us with respect ...
Stran 575
... reader in- evitably ( and within limits rightly ) affects his reading , and many more are drawn to poetry in quest ... reader's lively recollection does give a standard , a test for reality . The dangers are that the recollected feelings ...
... reader in- evitably ( and within limits rightly ) affects his reading , and many more are drawn to poetry in quest ... reader's lively recollection does give a standard , a test for reality . The dangers are that the recollected feelings ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing