Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 65
Stran 278
... result , for modern critical theory , has been an increased relativism . There is less con- fidence in the possibility of any objective way of criticizing and evaluating art . When such a confidence has been expressed , throughout the ...
... result , for modern critical theory , has been an increased relativism . There is less con- fidence in the possibility of any objective way of criticizing and evaluating art . When such a confidence has been expressed , throughout the ...
Stran 282
... result , though Hazlitt was one of the most prolific of all critics , there is no single work devoted to any one dominant principle or aspect of his criticism ; and in order to cull his views , one must go through some scores of ...
... result , though Hazlitt was one of the most prolific of all critics , there is no single work devoted to any one dominant principle or aspect of his criticism ; and in order to cull his views , one must go through some scores of ...
Stran 444
... result nobly conceived . " Such an experience , continued and gradually broadened in scope , directly subserves the ideal of human culture itself , in which the various aspects of the human character are integrated , sustaining and com ...
... result nobly conceived . " Such an experience , continued and gradually broadened in scope , directly subserves the ideal of human culture itself , in which the various aspects of the human character are integrated , sustaining and com ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing