Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 68
Stran 68
... seems to me ( sup- posing always that we Greeks are allowed to have an opinion upon the point ) that Cicero differs from Demosthenes in elevated passages . For the latter is characterised by sublimity which is for the most part rugged ...
... seems to me ( sup- posing always that we Greeks are allowed to have an opinion upon the point ) that Cicero differs from Demosthenes in elevated passages . For the latter is characterised by sublimity which is for the most part rugged ...
Stran 224
... seems to be of an opinion not very uncommon in the world , that to want money is to want everything . Next to the pleasure of contemplating his pos- sessions seems to be that of enumerating the men of high rank with whom he was ...
... seems to be of an opinion not very uncommon in the world , that to want money is to want everything . Next to the pleasure of contemplating his pos- sessions seems to be that of enumerating the men of high rank with whom he was ...
Stran 540
... seems to have taken Dante at his word . But what we experience as readers is never exactly what the poet experienced , nor would there be any point in its being , though certainly it has some relation to the poet's experience . What the ...
... seems to have taken Dante at his word . But what we experience as readers is never exactly what the poet experienced , nor would there be any point in its being , though certainly it has some relation to the poet's experience . What the ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing