Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 77
Stran 379
... spirit of unity , that blends , and ( as it were ) fuses , each into each , by that synthetic and magical power , to which we have exclusively appropriated the name of imagina- tion . This power , first put in action by the will and ...
... spirit of unity , that blends , and ( as it were ) fuses , each into each , by that synthetic and magical power , to which we have exclusively appropriated the name of imagina- tion . This power , first put in action by the will and ...
Stran 435
... spirit , and they are themselves perhaps the most sincerely astonished at its manifestations ; for it is less their spirit than the spirit of the age . Poets are the hierophants of an unapprehended inspiration ; the mirrors of the ...
... spirit , and they are themselves perhaps the most sincerely astonished at its manifestations ; for it is less their spirit than the spirit of the age . Poets are the hierophants of an unapprehended inspiration ; the mirrors of the ...
Stran 463
... spirit and its aims . Even with well - meant efforts of the practical spirit it must express dissatisfaction , if in the sphere of the ideal they seem impoverishing and limiting . It must not hurry on to the goal because of its ...
... spirit and its aims . Even with well - meant efforts of the practical spirit it must express dissatisfaction , if in the sphere of the ideal they seem impoverishing and limiting . It must not hurry on to the goal because of its ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing