Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 78
Stran 379
... tion of the other . For it is a distinction resulting from the poetic genius itself , which sustains and modifies the images , thoughts , and emotions of the poet's own mind . 7 6 The poet , described in ideal perfection , brings the ...
... tion of the other . For it is a distinction resulting from the poetic genius itself , which sustains and modifies the images , thoughts , and emotions of the poet's own mind . 7 6 The poet , described in ideal perfection , brings the ...
Stran 387
... TION I hold to be the living Power and prime Agent of all human Perception , and as a repeti- tion in the finite mind of the eternal act of crea tion in the infinite I AM . The secondary Imag- ination I consider as an echo of the former ...
... TION I hold to be the living Power and prime Agent of all human Perception , and as a repeti- tion in the finite mind of the eternal act of crea tion in the infinite I AM . The secondary Imag- ination I consider as an echo of the former ...
Stran 542
... tion from the Christian tradition . The thought of these three men seems to me to have an interesting similarity . [ Eliot . ] tion of the human situation as Plato's Diotima expounds it , or in the Christian sense of the separation of ...
... tion from the Christian tradition . The thought of these three men seems to me to have an interesting similarity . [ Eliot . ] tion of the human situation as Plato's Diotima expounds it , or in the Christian sense of the separation of ...
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INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing