Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
Iz vsebine knjige
Zadetki 1–3 od 79
Stran 154
... verses , or a poem ; blank verse being as much below them as rhyme is improper for the Drama . And if it be objected that neither are blank verses made extempore , yet , as nearest nature , they are still to be pre- ferred . But there ...
... verses , or a poem ; blank verse being as much below them as rhyme is improper for the Drama . And if it be objected that neither are blank verses made extempore , yet , as nearest nature , they are still to be pre- ferred . But there ...
Stran 155
... verse may be natural in plays , yet I should always be ready to confess , that those which I have written in this kind come short of that perfection which is required . Yet since you are pleased I should undertake this province , I will ...
... verse may be natural in plays , yet I should always be ready to confess , that those which I have written in this kind come short of that perfection which is required . Yet since you are pleased I should undertake this province , I will ...
Stran 156
... verse which is nearest prose , it makes little for you ; blank verse being properly but meas- ured prose . Now measure alone , in any modern language , does not constitute verse ; those of the Ancients in Greek and Latin consisted in ...
... verse which is nearest prose , it makes little for you ; blank verse being properly but meas- ured prose . Now measure alone , in any modern language , does not constitute verse ; those of the Ancients in Greek and Latin consisted in ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Avtorske pravice | |
22 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing