Seizing the Light: A History of Photography

abstract aesthetic Album Albumen silver print Alfred Stieglitz amateur American Aperture artists Bauhaus beauty became believed Berenice Abbott Brassaï calotype camera century collage color compositions concept Courtesy George Eastman create cubism culture daguerreotype darkroom Edward Weston exhibition exposure Figure film Gallery Gelatin silver print George Eastman House Gertrude Käsebier graphic Henry Hine human ideas imagemakers images inches John landscape László Moholy-Nagy lens light London look magazines meaning ment methods Minor White Modern Art modernist Moholy Moholy-Nagy movement Museum of Modern Muybridge nature negative nude painter painting paper Paris Paul Strand phers photogra photographic pictorial pictorialists plate portraits Press produced published raphy reality record representation reproduction reveal Robert Robert Frank scene sense snapshot social society space Steichen Stieglitz studies style subject matter surrealist tion tographs ture viewers vision visual Walker Evans William women York