The Art of Literary CriticismPaul Robert Lieder D Appleton Century Company, incorporated, 1944 - 689 strani |
Iz vsebine knjige
Zadetki 1–3 od 78
Stran 195
... English . Farther , I deny not but he has taxed us justly in some irregularities of ours , which he has mentioned ; yet , after all , I am of opinion that neither our faults nor their virtues are considerable enough to place them above ...
... English . Farther , I deny not but he has taxed us justly in some irregularities of ours , which he has mentioned ; yet , after all , I am of opinion that neither our faults nor their virtues are considerable enough to place them above ...
Stran 202
... English therein imitated the French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavor therein to follow the variety and greatness of characters which are derived to us from Shakespeare and ...
... English therein imitated the French . We have borrowed nothing from them ; our plots are weaved in English looms : we endeavor therein to follow the variety and greatness of characters which are derived to us from Shakespeare and ...
Stran 557
... English than in Scotch . I have been at Duncan Gray to dress it in English , but all I can do is desperately stupid . " We Eng- lish turn naturally , in Burns , to the poems in our own language , be- cause we can read them easily ; but ...
... English than in Scotch . I have been at Duncan Gray to dress it in English , but all I can do is desperately stupid . " We Eng- lish turn naturally , in Burns , to the poems in our own language , be- cause we can read them easily ; but ...
Vsebina
CONTENTS | 1 |
From The Republic | 7 |
ARISTOTLE | 23 |
Avtorske pravice | |
30 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear artist beauty become beginning better called cause character classic common composition consider criticism delight distinction effect English equal excellent exist expression eyes fact feeling follow force French genius give greater Greek hand heart Homer human idea imagination imitation important instance interest Italy kind knowledge language laws learning less light lines literature living look manner matter means mind moral nature never object observed once original painting pass passion perfect perhaps persons play pleasure poem poet poetic poetry present principle produced prose reader reason represent rhyme rules scene sense sometimes soul speak spirit stage style sublime things thought tion tragedy true truth understanding verse whole write