The Art of Literary CriticismPaul Robert Lieder D Appleton Century Company, incorporated, 1944 - 689 strani |
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Zadetki 1–3 od 71
Stran 352
... knowledge ; it is the im- passioned expression which is in the countenance of all science . Em- phatically may it be said of the poet , as Shakespeare hath said of man , that " he looks before and after . " He is the rock of defence for ...
... knowledge ; it is the im- passioned expression which is in the countenance of all science . Em- phatically may it be said of the poet , as Shakespeare hath said of man , that " he looks before and after . " He is the rock of defence for ...
Stran 443
... knowledge of per- spective , to draw in the rudest way the commonest appearance which depends upon the laws of that science — as , for instance , to represent the effect of two walls standing at right angles to each other , or the ...
... knowledge of per- spective , to draw in the rudest way the commonest appearance which depends upon the laws of that science — as , for instance , to represent the effect of two walls standing at right angles to each other , or the ...
Stran 451
... knowledge , first , work by far deeper agencies ; and , secondly , are more permanent ; in the strictest sense they are kтnuaтa ès deí : 1 and what evil they do , or what good they do ... knowledge The Literature of Knowledge and Power 451.
... knowledge , first , work by far deeper agencies ; and , secondly , are more permanent ; in the strictest sense they are kтnuaтa ès deí : 1 and what evil they do , or what good they do ... knowledge The Literature of Knowledge and Power 451.
Vsebina
CONTENTS | 1 |
From The Republic | 7 |
ARISTOTLE | 23 |
Avtorske pravice | |
30 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear artist beauty become beginning better called cause character classic common composition consider criticism delight distinction effect English equal excellent exist expression eyes fact feeling follow force French genius give greater Greek hand heart Homer human idea imagination imitation important instance interest Italy kind knowledge language laws learning less light lines literature living look manner matter means mind moral nature never object observed once original painting pass passion perfect perhaps persons play pleasure poem poet poetic poetry present principle produced prose reader reason represent rhyme rules scene sense sometimes soul speak spirit stage style sublime things thought tion tragedy true truth understanding verse whole write