The Art of Literary CriticismPaul Robert Lieder D Appleton Century Company, incorporated, 1944 - 689 strani |
Iz vsebine knjige
Zadetki 1–3 od 78
Stran 178
... observed in every regular play ; namely , of Time , Place , and Action . " The Unity of Time they comprehend in twenty - four hours , the compass of a natural day , or as near as it can be contrived ; and the reason of it is obvious to ...
... observed in every regular play ; namely , of Time , Place , and Action . " The Unity of Time they comprehend in twenty - four hours , the compass of a natural day , or as near as it can be contrived ; and the reason of it is obvious to ...
Stran 200
... observed by every judi- cious writer , so as the audience may neither be left unsatisfied by not seeing what is beautiful , or shocked by beholding what is either in- credible or undecent . C " I hope I have already proved in this ...
... observed by every judi- cious writer , so as the audience may neither be left unsatisfied by not seeing what is beautiful , or shocked by beholding what is either in- credible or undecent . C " I hope I have already proved in this ...
Stran 210
... observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those Barbarians , who knew not the rules of it , neither was it suitable to their tongues , as it had been to the Greek and ...
... observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those Barbarians , who knew not the rules of it , neither was it suitable to their tongues , as it had been to the Greek and ...
Vsebina
CONTENTS | 1 |
From The Republic | 7 |
ARISTOTLE | 23 |
Avtorske pravice | |
30 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear artist beauty become beginning better called cause character classic common composition consider criticism delight distinction effect English equal excellent exist expression eyes fact feeling follow force French genius give greater Greek hand heart Homer human idea imagination imitation important instance interest Italy kind knowledge language laws learning less light lines literature living look manner matter means mind moral nature never object observed once original painting pass passion perfect perhaps persons play pleasure poem poet poetic poetry present principle produced prose reader reason represent rhyme rules scene sense sometimes soul speak spirit stage style sublime things thought tion tragedy true truth understanding verse whole write