The Art of Literary CriticismPaul Robert Lieder D Appleton Century Company, incorporated, 1944 - 689 strani |
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Zadetki 1–3 od 80
Stran 77
... passion . 2. Surely he is quite mistaken if he does so on the ground that these two , sublimity and passion , are a unity , and if it seems to him that they are by nature one and inseparable . For some passions are found which are far ...
... passion . 2. Surely he is quite mistaken if he does so on the ground that these two , sublimity and passion , are a unity , and if it seems to him that they are by nature one and inseparable . For some passions are found which are far ...
Stran 79
... passion from its accompaniments in actual life . Wherein does she demonstrate her supreme excellence ? In the skill with which she selects and binds together the most striking and vehement circumstances of passion . [ The rest of X , XI ...
... passion from its accompaniments in actual life . Wherein does she demonstrate her supreme excellence ? In the skill with which she selects and binds together the most striking and vehement circumstances of passion . [ The rest of X , XI ...
Stran 533
... passion . It is simple falsehood , uttered by hypocrisy ; def- inite absurdity , rooted in affectation , and coldly asserted in the teeth of nature and fact . Passion will indeed go far in deceiving itself ; but it must be a strong passion ...
... passion . It is simple falsehood , uttered by hypocrisy ; def- inite absurdity , rooted in affectation , and coldly asserted in the teeth of nature and fact . Passion will indeed go far in deceiving itself ; but it must be a strong passion ...
Vsebina
CONTENTS | 1 |
From The Republic | 7 |
ARISTOTLE | 23 |
Avtorske pravice | |
30 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear artist beauty become beginning better called cause character classic common composition consider criticism delight distinction effect English equal excellent exist expression eyes fact feeling follow force French genius give greater Greek hand heart Homer human idea imagination imitation important instance interest Italy kind knowledge language laws learning less light lines literature living look manner matter means mind moral nature never object observed once original painting pass passion perfect perhaps persons play pleasure poem poet poetic poetry present principle produced prose reader reason represent rhyme rules scene sense sometimes soul speak spirit stage style sublime things thought tion tragedy true truth understanding verse whole write