The Art of Literary CriticismPaul Robert Lieder D Appleton Century Company, incorporated, 1944 - 689 strani |
Iz vsebine knjige
Zadetki 1–3 od 45
Stran 206
... rhyme , as I find in the writings of those who have argued for the other way . First , then , I am of opinion that rhyme is unnatural in a play , be- cause dialogue there is presented as the effect of sudden thought : for a play is the ...
... rhyme , as I find in the writings of those who have argued for the other way . First , then , I am of opinion that rhyme is unnatural in a play , be- cause dialogue there is presented as the effect of sudden thought : for a play is the ...
Stran 209
... rhyme reach no farther than , from the faults or defects of ill rhyme , to conclude against the use of it in general . May not I conclude against blank verse by the same reason ? If the words of some poets who write in it are either ill ...
... rhyme reach no farther than , from the faults or defects of ill rhyme , to conclude against the use of it in general . May not I conclude against blank verse by the same reason ? If the words of some poets who write in it are either ill ...
Stran 210
... rhyme . Therefore you concluded , that which is nearest Nature is still to be preferred . But you took no notice that rhyme might be made as natural as blank verse , by the well placing of the words , & c . All the difference between ...
... rhyme . Therefore you concluded , that which is nearest Nature is still to be preferred . But you took no notice that rhyme might be made as natural as blank verse , by the well placing of the words , & c . All the difference between ...
Vsebina
CONTENTS | 1 |
From The Republic | 7 |
ARISTOTLE | 23 |
Avtorske pravice | |
30 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear artist beauty become beginning better called cause character classic common composition consider criticism delight distinction effect English equal excellent exist expression eyes fact feeling follow force French genius give greater Greek hand heart Homer human idea imagination imitation important instance interest Italy kind knowledge language laws learning less light lines literature living look manner matter means mind moral nature never object observed once original painting pass passion perfect perhaps persons play pleasure poem poet poetic poetry present principle produced prose reader reason represent rhyme rules scene sense sometimes soul speak spirit stage style sublime things thought tion tragedy true truth understanding verse whole write