The Art of Literary CriticismPaul Robert Lieder D Appleton Century Company, incorporated, 1944 - 689 strani |
Iz vsebine knjige
Zadetki 1–3 od 70
Stran 156
... scene which goes before , nor with that which follows ; the other is from the third act of the Eunuchus of Terence , where the scene in which Antiphon is alone has no connection with Chremes and Pythias , who leave the stage as he comes ...
... scene which goes before , nor with that which follows ; the other is from the third act of the Eunuchus of Terence , where the scene in which Antiphon is alone has no connection with Chremes and Pythias , who leave the stage as he comes ...
Stran 179
... scene ought to be continued through the play , in the same place where it was laid in the beginning : for the stage on which it is represented being but one and the same place , it is unnatural to conceive it many ; and those far ...
... scene ought to be continued through the play , in the same place where it was laid in the beginning : for the stage on which it is represented being but one and the same place , it is unnatural to conceive it many ; and those far ...
Stran 201
... scene lies under it . This gentleman is called away , and leaves his servant with his mistress ; presently her father is heard from within ; the young lady is afraid the serving - man should be discovered , and thrusts him in through a ...
... scene lies under it . This gentleman is called away , and leaves his servant with his mistress ; presently her father is heard from within ; the young lady is afraid the serving - man should be discovered , and thrusts him in through a ...
Vsebina
CONTENTS | 1 |
From The Republic | 7 |
ARISTOTLE | 23 |
Avtorske pravice | |
30 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
action admiration ancient appear artist beauty become beginning better called cause character classic common composition consider criticism delight distinction effect English equal excellent exist expression eyes fact feeling follow force French genius give greater Greek hand heart Homer human idea imagination imitation important instance interest Italy kind knowledge language laws learning less light lines literature living look manner matter means mind moral nature never object observed once original painting pass passion perfect perhaps persons play pleasure poem poet poetic poetry present principle produced prose reader reason represent rhyme rules scene sense sometimes soul speak spirit stage style sublime things thought tion tragedy true truth understanding verse whole write