The Art of Literary CriticismPaul Robert Lieder D Appleton Century Company, incorporated, 1944 - 689 strani |
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Zadetki 1–3 od 47
Stran 73
... Sublime he draws . Essay on Criticism , 675–680 . From ON THE SUBLIME 1 ( c 250 ) I 1 You will remember , my dear Postumius Terentianus , that when we examined together the treatise of Cæcilius on the Sublime , we found that it fell ...
... Sublime he draws . Essay on Criticism , 675–680 . From ON THE SUBLIME 1 ( c 250 ) I 1 You will remember , my dear Postumius Terentianus , that when we examined together the treatise of Cæcilius on the Sublime , we found that it fell ...
Stran 223
... sublime , he is himself sublime . Never- theless he does so appropriately , and with so much art , that no one can accuse him in any one place of getting out of the didactic style . This has given to his book the high reputation which ...
... sublime , he is himself sublime . Never- theless he does so appropriately , and with so much art , that no one can accuse him in any one place of getting out of the didactic style . This has given to his book the high reputation which ...
Stran 227
... sublime in the sublime ; and perhaps they will laugh at the exclamations which Longinus sometimes makes about pas- sages which , though quite sublime , remain simple and natural , and which rather seize the soul than blaze out before ...
... sublime in the sublime ; and perhaps they will laugh at the exclamations which Longinus sometimes makes about pas- sages which , though quite sublime , remain simple and natural , and which rather seize the soul than blaze out before ...
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CONTENTS | 1 |
From The Republic | 7 |
ARISTOTLE | 23 |
Avtorske pravice | |
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action admiration ancient appear artist beauty become beginning better called cause character classic common composition consider criticism delight distinction effect English equal excellent exist expression eyes fact feeling follow force French genius give greater Greek hand heart Homer human idea imagination imitation important instance interest Italy kind knowledge language laws learning less light lines literature living look manner matter means mind moral nature never object observed once original painting pass passion perfect perhaps persons play pleasure poem poet poetic poetry present principle produced prose reader reason represent rhyme rules scene sense sometimes soul speak spirit stage style sublime things thought tion tragedy true truth understanding verse whole write