Chants Democratic: New York City & the Rise of the American Working Class, 1788-1850

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Oxford University Press, 1986 - 446 strani
Chants Democratic is a fascinating reinterpretation of the origins and development of our nation's working class, as seen through the politics, culture, and ideas of New York City during the Jacksonian period. Here, Wilentz explores the dramatic social and intellectual changes that accompanied early industrialization in New York. Wilentz examines the significant roles played by immigration, religion, and women in the formation of new social classes. Using court records, ceremonial speeches, and art to illuminate the changes of the period, Chants Democratic presents a rich and detailed portrait of the social life, political battles, and cultural development in the emerging American metropolis.
 

Vsebina

Stollenwercks Panorama 1815
3
Artisans in the Mercantile City
23
Artisan Republicanism
61
The Bastard Workshop 18251850
105
Working Mans Advocates 18251832
143
The Journeymens Revolt 18331836
217
To the Crisis of 1836
255
Hard Times and Politics 18371849
297
Subterranean Radicals
326
Class Conflict in the American Metropolis
361
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O avtorju (1986)

Robert sean Wilentz was born in 1951 in New York City. He earned his first B.A. from Colunbia University in 1972 and his second from Oxford University in 1974 on a Kellett Fellowship. He continued his education at Yale University where he earned his M.A. degree in 1975 and his PhD. in 1980. His writings are focused on the importance of class and race in the early national period. He has also co-authored books on nineteenth-century religion and working class life. His book The Rise of American Democracy: Jefferson to Lincoln, won the Bancroft Prize. He has also written about modern U.S. history in his book, The Age of Reagan: A History, 1974-2008. He has been the Sidney and Ruth Lapidus Professor of History at Princeton University since 1979. Robert Wilentz is also a contributing editor at The New Republic. He writes on music, the arts, history and politics. He received a Grammy nomination and a 2005 ASCAP Deems Taylor Award for musical commentary on the musician Bob Dylan.

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