Creativity in the ArtsVincent Tomas Prentice-Hall, 1964 - 110 strani |
Iz vsebine knjige
Zadetki 1–3 od 8
Stran 49
... abstract form , the purer and more primitive the vibra- tion . Therefore , in any composition where corporeal form seems super- fluous it may be replaced by abstract or semi - abstract form . In each case this translation should be ...
... abstract form , the purer and more primitive the vibra- tion . Therefore , in any composition where corporeal form seems super- fluous it may be replaced by abstract or semi - abstract form . In each case this translation should be ...
Stran 50
Vincent Tomas. artist uses these semi - abstract or abstract forms , the deeper and more confidently will he advance into the sphere of the abstract . And after him will follow those who look at his pictures , who will in turn grad ...
Vincent Tomas. artist uses these semi - abstract or abstract forms , the deeper and more confidently will he advance into the sphere of the abstract . And after him will follow those who look at his pictures , who will in turn grad ...
Stran 65
... abstract , what it's ' worth to God , ' but simply what it is . On the one side are e.g .: Giotto , etc .; Persian Rugs ; Bricks & Iron Girders ; Tools , Steam engines ; Folk Song ; Plain Song ; Caligraphy [ sic ] ; Toys ( not some few ...
... abstract , what it's ' worth to God , ' but simply what it is . On the one side are e.g .: Giotto , etc .; Persian Rugs ; Bricks & Iron Girders ; Tools , Steam engines ; Folk Song ; Plain Song ; Caligraphy [ sic ] ; Toys ( not some few ...
Vsebina
INTRODUCTION | 1 |
CREATIONARTISTIC NATURAL AND DIVINE | 55 |
NOVELTY OTHERNESS | 67 |
Avtorske pravice | |
2 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract aesthetic art already anticipatory Aristotle artifact autotelic become behaviorist Ben Shahn Bernard Berenson bridge bull's-eye called Christian color conscious constitute contemporary created creative activity creative art creative artist creative process critical control critical judgment develop elements embodied emotional endotelic art Eric Gill existence experience expression external fact feeling formulated human idea imagination imitate inner critic inspiration intention internal necessity Jean-Paul Aron JOEL FEINBERG kind Krikorian Ludwig Börne matter means memory merely naturalistic nature neurograms novelty objectification objectify objective self-expression one's oneself original painter painting perhaps person philosophy Piero della Francesca Plato play poem poet poetry possible problem question R. G. Collingwood reason rejected result rifleman scientists seems sense speak Stephen Spender style symbols telic theory of mind things thought tion tune universe wanted WASSILY KANDINSKY whole word writing York