Creativity in the ArtsVincent Tomas Prentice-Hall, 1964 - 110 strani |
Iz vsebine knjige
Zadetki 1–3 od 3
Stran 87
... anticipatory schema , a frame to be filled in . . . . The specific ideas that fill the schema are also anticipatory . Ideas are antici- ' R. W. Gerard , " The Biological Basis of Imagination , " The Scientific Monthly , Vol . LXII ...
... anticipatory schema , a frame to be filled in . . . . The specific ideas that fill the schema are also anticipatory . Ideas are antici- ' R. W. Gerard , " The Biological Basis of Imagination , " The Scientific Monthly , Vol . LXII ...
Stran 90
... anticipatory expectations , he reduces the creative activity to a complex process of shuffling the already experienced . But for all its appearance of contemporaneity , this does not advance the theory of mind beyond the point where ...
... anticipatory expectations , he reduces the creative activity to a complex process of shuffling the already experienced . But for all its appearance of contemporaneity , this does not advance the theory of mind beyond the point where ...
Stran 91
... anticipatory responses to the long unconscious work and the sudden illumination of which Poin- caré gives us an account ? Since for the behaviorist there is no con- sciousness , nothing can take place below its level . And yet somehow ...
... anticipatory responses to the long unconscious work and the sudden illumination of which Poin- caré gives us an account ? Since for the behaviorist there is no con- sciousness , nothing can take place below its level . And yet somehow ...
Vsebina
INTRODUCTION | 1 |
CREATIONARTISTIC NATURAL AND DIVINE | 55 |
NOVELTY OTHERNESS | 67 |
Avtorske pravice | |
2 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
abstract aesthetic art already anticipatory Aristotle artifact autotelic become behaviorist Ben Shahn Bernard Berenson bridge bull's-eye called Christian color conscious constitute contemporary created creative activity creative art creative artist creative process critical control critical judgment develop elements embodied emotional endotelic art Eric Gill existence experience expression external fact feeling formulated human idea imagination imitate inner critic inspiration intention internal necessity Jean-Paul Aron JOEL FEINBERG kind Krikorian Ludwig Börne matter means memory merely naturalistic nature neurograms novelty objectification objectify objective self-expression one's oneself original painter painting perhaps person philosophy Piero della Francesca Plato play poem poet poetry possible problem question R. G. Collingwood reason rejected result rifleman scientists seems sense speak Stephen Spender style symbols telic theory of mind things thought tion tune universe wanted WASSILY KANDINSKY whole word writing York