Drama Therapy: Concepts, Theories, and PracticesC.C. Thomas, 1994 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 64
Stran 72
... actor in everyday life is limited in his choices . He plays it safe , sticks to the rules , gives people what they expect , is predictable and conventional . The impulsive actor in everyday life acts independently of a social context ...
... actor in everyday life is limited in his choices . He plays it safe , sticks to the rules , gives people what they expect , is predictable and conventional . The impulsive actor in everyday life acts independently of a social context ...
Stran 85
... acting . This emotional emphasis appeared in Stanislavski's early work and was chronicled in his book , An Actor Prepares . In his later work , Stanislavski focused more attention on developing the physical actions of actors and less on ...
... acting . This emotional emphasis appeared in Stanislavski's early work and was chronicled in his book , An Actor Prepares . In his later work , Stanislavski focused more attention on developing the physical actions of actors and less on ...
Stran 86
... actor creates a paradoxical moment of living the present through the past , living the life of the other through oneself . For Stanislavski , then , the central problem of the actor is to balance the forces of past and present , oneself ...
... actor creates a paradoxical moment of living the present through the past , living the life of the other through oneself . For Stanislavski , then , the central problem of the actor is to balance the forces of past and present , oneself ...
Vsebina
Chapter | 5 |
TOWARD A DEFINITION OF DRAMA THERAPY | 45 |
Chapter | 65 |
Avtorske pravice | |
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Pogosti izrazi in povedi
ability able action actor adult aesthetic aesthetic distance and/or applying drama approach artist asked audience auxiliary balance become behavior catharsis character child client clinical cognitive concepts create creative arts therapies developmental director disabled distance dolls drama therapy group drama/theatre dramatic process dream emotional enactment epic theatre everyday example existential therapy experience explore express extended dramatization feelings fictional focus focused Freud functions further Gestalt therapy human identified improvisational individual interaction issues Johnson Landy mask means mental Moreno mother move movement needs notion objects one's overdistanced person play therapy populations present projective techniques protagonist psychoanalysis psychodrama psychological psychotherapy puppets reality recreational relation relationship representation representing ritual role playing role system role taking role theory Role Type schizophrenics session social sociodrama spontaneous stage story storytelling Subtype superego symbolic theatre performance therapist tion unconscious underdistanced warm-up world technique