Drama Therapy: Concepts, Theories, and PracticesC.C. Thomas, 1994 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 27
Stran 29
... dream work , again using a dramatic approach by having a client take on the roles of various characters or objects in his dream . For Perls , the dream represented various split - off parts of the self , and in playing out those parts ...
... dream work , again using a dramatic approach by having a client take on the roles of various characters or objects in his dream . For Perls , the dream represented various split - off parts of the self , and in playing out those parts ...
Stran 114
... dream his mouth and throat became a " barrel of fun , " a large , spinning barrel in a carnival funhouse . He was ... Dreams , fantasies , and identifications with characters in plays , films , and literature often provide a natural ...
... dream his mouth and throat became a " barrel of fun , " a large , spinning barrel in a carnival funhouse . He was ... Dreams , fantasies , and identifications with characters in plays , films , and literature often provide a natural ...
Stran 176
... dream , those of Freud , Jung , and Perls , are all important for an understanding of dreamwork in drama therapy . For Freud ( 1965 ) , the dream is a manifestation of unconscious repressed wishes and fantasies that take on symbolic ...
... dream , those of Freud , Jung , and Perls , are all important for an understanding of dreamwork in drama therapy . For Freud ( 1965 ) , the dream is a manifestation of unconscious repressed wishes and fantasies that take on symbolic ...
Vsebina
Chapter | 5 |
TOWARD A DEFINITION OF DRAMA THERAPY | 45 |
Chapter | 65 |
Avtorske pravice | |
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ability able action activity actor adult applied approach artist asked audience balance become begin behavior body character child client concepts create creative direct director disabled distance disturbed dolls drama therapy dream effects emotional enactment engage example experience explore express extended feelings focus Following functions further given goals human identified imagination improvisational individual interaction involves issues lead learning lives look means mental method mother move movement nature needs notion objects occur offer one's particular past performance person physical populations positive practice present problems projective protagonist psychodrama puppets qualities questions reality relation relationship representation representing role playing Role Type sense session setting significant social specific spontaneous stage story structure Subtype symbolic techniques theatre theory therapeutic therapist thought transference treatment understanding warm-up