I never nursed a dear gazelle ; And knows it—but he will not die! I had a kitten-I was rich In pets but all too soon my kitten I've more than once been scratch'd and bitten, I freely own that I was grateful. And then I bought a dog-a queen I used to think, should e'er mishap From Fly Leaves by C. S. Calverley. (George Bell and Sons, London, 1878.) OH, ever thus, since Childhood s hour We've seen our fondest hopes decay, We never raised a Calf or Cow or Hen that laid an Egg a day, But it was marked and stol'n away, To glad us with its sunny eye But when 'twas grown up fat and big BY OUR BUTCHER. I never loved a dear gazelle, Such things as bullocks, pigs and sheep; Yet often, when a little lamb, Whose price was low, has caught my eye, I've purchased it; but, sad to say, Next morning it was sure to die; I NEVER bought a young gazelle, I never drilled a cockatoo, To speak with almost human lip, But, when a pretty phrase it knew, 'Twas sure to give some friend a nip. I never trained a collie hound But, when I thought a prize I'd found, I never kept a tabby kit To cheer my leisure with its tricks, But, when we all grew fond of it, 'Twas sure to catch the neighbour's chicks, I never reared a turtle-dove, To coo all day with gentle breath, But, when its life seemed one of love, 'Twas sure to peck its mate to death. I never-well, I never yet And I have spent no end of peltInvested money in a pet That didn't misconduct itself. Funny Folks Annual, 1886. THE YOUNG GAZELLE. A Moore-ish Tale. IN early youth, as you may guess, I revelled in poetic lore, And while my schoolmates studied less, I resolutely studied Moore. Those touching lines from "Lalla Rookh ""Ah! ever thus "-you know them well, Such root within my bosom took, I wished I had a young Gazelle. Oh, yes! a sweet, a sweet Gazelle, Seems in that gem-like orb to lie. Years, childhood passed, youth fled away, With care, and trouble, and expense, 'Twas brought from Afric's northern cape; It seemed of great intelligence, And oh! so beautiful a shape. The little creature grew so tame, He "learned to know (the neighbours) well," And, then the ladies, when they came, Oh! how they "nursed that dear Gazelle," But woe is me! on earthly ground Some ill with every blessing dwells; He nibbled at the table cloth, And trod the carpet into holes, And in his gambols, nothing loth, Kicked over scuttles full of coals. In short the mischief was immense That from his gamesome pranks befel, And truly, in a double sense He proved a very "dear gazelle." At length I sighed─"Ah! ever thus Doth disappointment mock each hope; But 'tis in vain to make a fuss You'll have to go, my antelope." I said "This antler'd desert child I'll never have a young gazelle ! This humorous poem was written by Mr. Walter Parke the dramatist, and author of many skilful and amusing parodies. Lays of the Saintly, by the same gentleman, (Vizetelly and Co, London.) contains the lives of the principal Saints, told in rhymes imitating Swinburne, Tennyson, Longfellow, and other poets. One of the best of these legends is undoubtedly that devoted to the adventures of St. Patrick, the patron Saint of Ireland. Most appropriately this is written after Moore's style, and parodies of a number of his melodies are ingeniously woven into the narrative. Amongst these are "Eveleen's Bower,' ""Love's Young Dream," " 'She is far from the Land," "Oft in the THERE'S not in old Ireland an islet more sweet It is not for Nature they go to the scene, They pay sixpence each to be row'd o'er the lake. 'Tis that Patrick the Great made a station for pray'r Sweet Isle of Lough Dearg ! by thy devotees blest, Farewell, farewell to thee, Ireland's protector, Farewell, farewell to fair Erin, thy daughter, And may she grow ever more lovely and gay, Forgetting the troubles the past may have brought her, Till each shade of sorrow has vanished away. But there is not a dull page in the whole of this dainty volume, it is full of fun and refined humour, and the imitations are in many cases, of exceptional literary merit. Here Tories are raving-their voices are high, It's the house! it's the house! Here prosper the Whigs that with lucre's vile love, And forgot pledges past in the places they've here. It's the house! it's the house! SWEET BOROUGH OF TAMWORTH. (The following song, supposed to be sung by the late Sir Robert Peel, who long represented Tamworth, is a parody of "Fanny of Timmol." SWEET borough of Tamworth, when first I go in To the dear House of Commons in which I was hurl'd, I found it a place of such pelf and such sin, And for humbug the funniest place in the world. For the Minister's lips to their destiny true, Seem'd to know I was born to be sold as anothers; Half squinting, half winking such gold beaming Let them say what they will, I could read in his eye, "Here's a bait for you, Peel, if you know how to bite." So on Treasury benches I mingled my feet, I felt a pulsation I cannot tell whether But my heart and my face got as tough as cow's leather. At length when arrived in my office I sat, And I heard of its tricks, with a slight twinge of But Castlereagh whispered, if once you should rat, Oh Liverpool, Castlereagh, never were any But Bexley would preach, and Eldon so grieved, That a suckling like me should be lost in a jiffey- Professions, manoeuvres, smiles, bowing, I used, Oh the orange sword waved without shame or relenting; And the Papists were crushed, and their church I abused, Whilst I swore that their sighs were but signs of consenting. How the Catholic claims I scorned and denied, Till I found my reward in a better place here; In vain did I whisper, there's no danger nigh, I acknowledged them both, and I asked for no more. Was I right?-oh, I cannot believe I was wrong, In cursed schedule B. thou shalt not be kept long, By heaven! Rotten Boroughs I'd rather forswear- From The Blue Bag; or, Toryana. By the Speaker of the House of Commons. (Effingham Wilson, London, 1832.) The same little pamphlet contains another parody on Moore, supposed to be spoken by William Frederick, Duke of Gloucester, nephew of George III. Many amusing anecdotes of the stupidity of this Royal Duke were current during his lifetime, and earned for him the sobriquet SILLY-BILLY. WHEN in death I shall calm recline, More dozy I can't be than I have been here; I never could feel either joy or sorrow, My heart is so spongy, my liver so white; Curse the Whigs, they are overthrowing Repaying the woes we've inflicted on him. The Duke of Gloucester had been educated at Cambridge. He died in 1834, leaving the large fortune he had amassed from the numerous sinecure offices he held during his parsimonious lifetime, to his widow. THE SWEET BRIAR. I THOUGHT t'other day while attempting to thin For its dear little thorns to their destiny true And to show me what I was attempting to do Kept eternally gripping and pricking my fingers. * * ', And whenever we mingled our shoots, and our feet, I discovered that I had been spending my labour Though the Briar has grown through the paling again, And the devil may guide it uninjured along E'er I put myself twice to such horrible pain. By Heavens! I would rather forever forswear :0: The Melbourne Punch for July 1, 1880, contained a long, and very dreary parody, entitled Paradise and the Berri. It dealt with local politics, and was chiefly devoted to insulting a politician named Berry, it had no literary merit whatever. The Melbourne Punch is published at double the price of its London namesake, of which it is but a very poor imitation. Paradise and the Peeler is the title of another long parody contained in Lyrics and Lays, by Pips. Published in 1867, by Wyman, Bros., Calcutta. This relates how the Eden gardens in Calcutta were closed to the general public, by order of the Commissioner of the Police, until a general outcry forced him to withdraw the obnoxious edict. During Oxford Commemoration in 1866, the S. S. Amateurs performed in the Masonic Hall an "Oriental Extra vaganza," entitled Lalla Rookh. This was written by Mr. Vincent Amcotts, of Balliol College, (founded upon Moore's poem), and the numerous songs it contained were set to music selected from Offenbach's "Barbe Bleu." This amusing travestie was published by T. Shrimpton and Son, Broad Street, Oxford. Another Extravaganza, with the same title, was produced at the unfortunate Novelty Theatre, London, in May, 1884. The libretto was written by Mr. Horace Lennard, the musical arrangements were by Mr. P. Bucalossi, and the caste included Miss Kate Vaughan, as Lalla Rookh, Mr. Harry Nicholls, and Mr. Fred Story; the piece, however, had but a brief career. Several other dramatic arrangements of Lalla Rookh have been produced, there was a burletta by Horn; a cantata by Messrs. W. G. Wills and Frederick Clay; and forty years ago the famous Cerito delighted the opera-goers in a ballet founded on Moore's poem. Sixty or seventy years ago when Moore's poems were in the height of their popularity they were made the subject of a vast number of parodies. Of these the majority would now be of no interest whatever, relating as they do to persons and events long since forgotten. Some of the best of these old parodies have already been given, a few others may be enumerated to which reference could easily be made by any reader desirous of seeing them The Spirit of the Public Journals for 1823 contained a great many travesties of Moore's Irish melodies, nearly all of which were political. The first lines of these are as follows:Go where Plutus waits thee. Remember the Deeds of Sir Billy the Fat. When first I met thee, fat and fair. 'Tis the last squeak of Derry, left nearly alone. a feast. Peggy hath a squinting eye. (See page 245.) Oh! had I some nice little lass of my own. Come rest in this bosom, my sweet pretty dear! Blesington hath a beaming eye. Go where Bennett waits thee. The Old Whig Club is meeting, Duke. The same Volume also contains a Burlesque review, or, as it is termed, a criticism extraordinary, upon a supposed poem, entitled Loves of the Mortals, by Timothy Tickle, Esq. This jeu d'esprit was published a few days after The Loves of the Angels, and the extracts given from the imaginary poem parody that work. Figaro in London, a sarcastic paper published in London in 1831-32-33, contained many parodies of Moore's Melodies, the best of these have already been given. Punch for 1847 contained The Loves of the New Police, in several parts. In December 13, 1856, it had a set of verses addressed to a certain Mr. Morris Moore, parodying several of Moore's Songs. Funny Folks, May 10, 1884, on the Dynamite scare : "Believe me that all these explosive alarms." The Humourous Works of the late Theodore Hook (London, 1873), in addition to the parody quoted on page 238, contain another on The young May-Moon but it is quite out of date. A review of "Mr. Minus the Poet" is also included in the above collection; it is a skit upon Moore's versification and philosophy, and contains a short imitation of his poetry, entitled Fanny's Bower, somewhat resembling The Living Lustres in the Rejected Addresses. "Jack Randall's Diary, or proceedings at the House of Call for Genius," written by Mr. Breakwindow. London, Simpkin, 1820. This is a small book which cannot be found in the Library of the British Museum. J. C. Hotten, in his “Bibliography of Slang and Cant," says (p. 103) this was written by Thomas Moore; but further information is wanted on this point. Their hog-ships with good new-made grains; And pigs, though grubby, must be fed, For even they feel Hunger's pains. Alas! that mankind's greedy eye Should e'er go thither, Their loves to wither, But pigs must know they're born to die And should not squeal when the knife draws nigh. And seized him, with intent to slay ; Oh, oh!" says Love, "this is all my eye!" So he kicked him over, and flew away. |