The North American Review, Količina 138

Sprednja platnica
University of Northern Iowa, 1884
Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.

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Stran 582 - But strong meat belongeth to them that are of full age, even those who by reason of use have their senses exercised to discern both good and evil.
Stran 479 - I HAVE been here before, But when or how I cannot tell : I know the grass beyond the door, The sweet keen smell, The sighing sound, the lights around the shore. You have been mine before, — How long ago I may not know : But just when at that swallow's soar Your neck turned so, Some veil did fall, — I knew it all of yore.
Stran 133 - My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity; Before I taught my tongue to wound My conscience with a sinful sound.
Stran 134 - But ah ! my soul with too much stay Is drunk, and staggers in the way! Some men a forward motion love, But I by backward steps would move; And when this dust falls to the urn, In that state I came, return.
Stran 28 - ... the faith of the United States is solemnly pledged to the payment in coin, or its equivalent, of all the obligations of the United States...
Stran 598 - Loafe with me on the grass, loose the stop from your throat, Not words, not music or rhyme I want, not custom or lecture, not even the best, Only the lull I like, the hum of your valved voice.
Stran 10 - We believe that through the atonement of Christ all mankind may be saved, by obedience to the laws and ordinances of the Gospel.
Stran 424 - If the child is of tender years he may be presumed to be of good moral character, attached to the principles of the Constitution, and well disposed to the good order and happiness of the United States.
Stran 491 - The meaning of Song goes deep. Who is there that, in logical words, can express the effect music has on us? A kind of inarticulate unfathomable speech, which leads us to the edge of the Infinite, and lets us for moments gaze into that!
Stran 341 - Upon asking how he had been taught the art of a cognoscente so very suddenly, he assured me that nothing was more easy. The whole secret consisted in a strict adherence to two rules: the one always to observe, that the picture might have been better if the painter had taken more pains ; and the other, to praise the works of Pietro Perugino.

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