The Defense of Poesy, Otherwise Known as An Apology for PoetryGinn, 1890 - 143 strani |
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Zadetki 1–5 od 5
Stran xxii
... alliteration , consonance , rhyme , playing upon words , and the use of syllables sounding alike . These embellishments he uses to point out the respective corresponding words in his antithet- ical clauses . It is not continuous ...
... alliteration , consonance , rhyme , playing upon words , and the use of syllables sounding alike . These embellishments he uses to point out the respective corresponding words in his antithet- ical clauses . It is not continuous ...
Stran xxiii
... alliteration , as well as his absurd similes taken from Pliny ; in other words , the most characteristic elements of Euphuism . " The statement concerning the similes from natural and unnatural history is confirmed by the quotation from ...
... alliteration , as well as his absurd similes taken from Pliny ; in other words , the most characteristic elements of Euphuism . " The statement concerning the similes from natural and unnatural history is confirmed by the quotation from ...
Stran xxiv
... alliteration . The instances of the latter are but few , and would never be remarked were it not for the verbal jingles which fall under the former head . At times this vainly repetitious form of Arcadianism is nothing but Cic ...
... alliteration . The instances of the latter are but few , and would never be remarked were it not for the verbal jingles which fall under the former head . At times this vainly repetitious form of Arcadianism is nothing but Cic ...
Stran 66
... alliteration : 16 28 , 32 17 , 32–33 , 34 32–33 , 39 24 , 41 11 . Cf. also 33 34. Many of the above repetitions fall under the head of allowable rhetorical figures , and some of them would scarcely be remarked on a first reading ; but ...
... alliteration : 16 28 , 32 17 , 32–33 , 34 32–33 , 39 24 , 41 11 . Cf. also 33 34. Many of the above repetitions fall under the head of allowable rhetorical figures , and some of them would scarcely be remarked on a first reading ; but ...
Stran 76
... alliteration , in the sense now assigned to it . Cf. Symonds , Renaissance in Italy 2. 466 : " It was not , however , by his lighter verses so much as by the five books called De Stellis , or Urania , that Pontanus won the admiration of ...
... alliteration , in the sense now assigned to it . Cf. Symonds , Renaissance in Italy 2. 466 : " It was not , however , by his lighter verses so much as by the five books called De Stellis , or Urania , that Pontanus won the admiration of ...
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Æneas Æneid Æsop Alexander ancient Aristotle Astrophel and Stella Augustan Histories authority beauty Boethius called Cato Cicero comedy conceit Crantor Cypselus Cyrus Dante Defense of Poetry delight divine doth edition English Ennius Ethics Euphuism Euripides evil example excellent feigned Fox Bourne giveth Gosson Greek Harington Haslewood hath Hesiod Hipponax Hist historian Homer honor Horace imitation Jowett kind King knowledge language Latin learning live Livy Lucretius Mahaffy maketh matter metre mind misliked moral nature never omits Orator Orpheus Periander Petrarch philosopher Pindar Plato Plautus play Plutarch poem poesy poet poetical praise prose Psalms Quintilian reason rime Roman Scaliger scholar scorn Shak Shakespeare Sidney's song Sonnet speak speech Spenser story style sweet Symonds teach teacheth things tion tragedy translation true truly truth unto verse Virgil virtue words writing Xenophon ΙΟ
Priljubljeni odlomki
Stran 123 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Stran 125 - LEAVE ME, O LOVE Leave me, O love which reachest but to dust, And thou, my mind, aspire to higher things. Grow rich in that which never taketh rust: Whatever fades but fading pleasure brings. Draw in thy beams, and humble all thy might To that sweet yoke where lasting freedoms be; Which breaks the clouds and opens forth the light That doth both shine and give us sight to see.
Stran 95 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Stran 51 - Aristotle, is that they stir laughter in sinful things, which are rather execrable than ridiculous; or in miserable, which are rather to be pitied than scorned. For what is it to make folks gape at a wretched beggar...
Stran 72 - The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM...
Stran 94 - It was from out the rind of one apple tasted, that the knowledge of good and evil, as two twins cleaving together, leaped forth into the world. And perhaps this is that doom which Adam fell into of knowing good and evil, that is to say of knowing good by evil.
Stran 23 - Now, therein, of all sciences (I speak still of human, and according to the human conceit) is our poet the monarch. For he doth not only show the way, but giveth so sweet a prospect into the way as will entice any man to enter into it...
Stran xxxiv - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Stran 103 - For nought so vile that on the earth doth live, But to the earth some special good doth give ; Nor aught so good, but, strain'd from that fair use, Revolts from true birth, stumbling on abuse : Virtue itself turns vice, being misapplied, And vice sometime 's by action dignified.
Stran 29 - I never heard the old song of Percy and Douglas, that I found not my heart moved more than with a trumpet ; and yet it is sung but by some blind crowder, with no rougher voice than rude style ; which being so evil apparelled in the dust and cobweb of that uncivil age, what would it work, trimmed in the gorgeous eloquence of Pindar?