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Wasting a fortune.
JOHNSON. 'Wasting a fortune is evaporation by a thousand imperceptible means. If it were a stream, they'd stop it. You must speak to him. It is really miserable. Were he a gamester, it could be said he had hopes of winning. Were he a bankrupt in trade, he might have grown rich; but he has neither spirit to spend nor resolution to spare. He does not spend fast enough to have pleasure from it. He has the crime of prodigality, and the wretchedness of parsimony. If a man is killed in a duel, he is killed as many a one has been killed; but it is a sad thing for a man to lie down and die; to bleed to death, because he has not fortitude enough to sear the wound, or even to stitch it up.' I cannot but pause a moment to admire the fecundity of fancy, and choice of language, which in this instance, and, indeed, on almost all occasions, he displayed. It was well observed by Dr. Percy, now Bishop of Dromore, 'The conversation of Johnson is strong and clear, and may be compared to an antique statue, where every vein and muscle is distinct and bold. Ordinary conversation resembles an inferiour cast.'
On Saturday, April 25, I dined with him at Sir Joshua Reynolds's, with the learned Dr. Musgrave', Counsellor Leland of Ireland, son to the historian, Mrs. Cholmondeley, and some more ladies. The Project, a new poem, was read to the company by Dr. Musgrave. JOHNSON. ‘Sir, it has no power. Were it not for the well-known names with which it is filled, it would be nothing: the names carry the poet, not the poet the names.' MUSGRAVE. 'A temporary
Malone was told by Baretti that 'Dr. James picked up on a stall a book of Greek hymns. He brought it to Johnson, who ran his eyes over the pages and returned it. A year or two afterwards he dined at Sir Joshua Reynolds's with Dr. Musgrave, the editor of Euripides. Musgrave made a great parade of his Greek learning, and among other less known writers mentioned these hymns, which he thought none of the company were acquainted with, and extolled them highly. Johnson said the first of them was indeed very fine, and immediately repeated it. It consisted of ten or twelve lines.' Prior's Malone, p. 106. By Richard Tickell, the grandson of Addison's friend. Walpole's Letters, vii. 54.
[A.D. 1778. poem always entertains us.' JOHNSON. 'So does an account of the criminals hanged yesterday entertain us.'
He proceeded:-' Demosthenes Taylor, as he was called, (that is, the Editor of Demosthenes) was the most silent man, the merest statue of a man that I have ever seen. I once dined in company with him, and all he said during the whole time was no more than Richard. How a man should say only Richard, it is not easy to imagine. But it was thus: Dr. Douglas was talking of Dr. Zachary Grey, and ascribing to him something that was written by Dr. Richard Grey. So, to correct him, Taylor said, (imitating his affected sententious emphasis and nod,) "Richard."'
Mrs. Cholmondeley, in a high flow of spirits, exhibited some lively sallies of hyperbolical compliment to Johnson, with whom she had been long acquainted, and was very easy'. He was quick in catching the manner of the moment, and answered her somewhat in the style of the hero of a romance, Madam, you crown me with unfading laurels.'
I happened, I know not how, to say that a pamphlet meant a prose piece. JOHNSON. 'No, Sir. A few sheets of poetry unbound are a pamphlet', as much as a few sheets of prose.'
1 She was a younger sister of Peg Woffington (ante, p. 300). Johnson described her as 'a very airy lady.' (Boswell's Hebrides, Sept. 23, 1773.) Murphy (Life, p. 137) says that 'Johnson, sitting at table with her, took hold of her hand in the middle of dinner, and held it close to his eye, wondering at the delicacy and the whiteness, till with a smile she asked:-" Will he give it to me again when he has done with it?" He told Miss Burney that Mrs. Cholmondeley was the first person who publicly praised and recommended Evelina among the wits.' Mme. D'Arblay's Diary, i. 180. Miss Burney wrote in 1778: - Mrs. Cholmondeley has been praising Evelina; my father said that I could not have had a greater compliment than making two such women my friends as Mrs. Thrale and Mrs. Cholmondeley, for they were severe and knowing, and afraid of praising à tort et à travers, as their opinions are liable to be quoted.' Ib. i. 47. To Mrs. Cholmondeley Goldsmith, just before his death, shewed a copy in manuscript of his Retaliation. No one else, it should seem, but Burke had seen it. Forster's Goldsmith, ii. 412.
2 Dr. Johnson is supported by the usage of preceding writers. So MUSGRAVE.
Aetat. 69.] The definition of a pamphlet.
MUSGRAVE. A pamphlet may be understood to mean a poetical piece in Westminster-Hall, that is, in formal language; but in common language it is understood to mean prose.' JOHNSON. (and here was one of the many instances of his knowing clearly and telling exactly how a thing is) A pamphlet is understood in common language to mean prose, only from this, that there is so much more prose written than poetry; as when we say a book, prose is understood for the same reason, though a book may as well be in poetry as in prose. We understand what is most general, and we name what is less frequent.'
We talked of a lady's verses on Ireland. MISS REYNOLDS. 'Have you seen them, Sir?' JOHNSON. 'No, Madam. I have seen a translation from Horace by one of her daughters. She shewed it me.' MISS REYNOLDS. 'And how was it, Sir?' JOHNSON. Why, very well for a young Miss's verses;-that is to say, compared with excellence, nothing; but, very well, for the person who wrote them. I am vexed at being shewn verses in that manner.' MISS REYNOLDS. But if they should be good, why not give them hearty praise?' JOHNSON. Why, Madam, because I have not then got the
in Musarum Delicia, 8vo. 1656 (the writer is speaking of Suckling's play entitled Aglaura, printed in folio) :
This great voluminous pamphlet may be said
To be like one that hath more hair than head.'
Addison, in The Spectator, No. 529, says that 'the most minute pocketauthor hath beneath him the writers of all pamphlets, or works that are only stitched. As for a pamphleteer he takes place of none but of the authors of single sheets.' The inferiority of a pamphlet is shewn in the following anecdote recorded in Johnson's Works, ed. 1787, xi. 216-Johnson would not allow the word derange to be an English word. Sir," said a gentleman who had some pretensions to literature, "I have seen it in a book." 'Not in a bound book," said Johnson; "disarrange is the word we ought to use instead of it."' In his Dictionary he gives neither derange nor disarrange. Dr. Franklin, who had been a printer and was likely to use the term correctly, writing in 1785, mentions 'the artifices made use of to puff up a paper of verses into a pamphlet.' Memoirs, iii. 178.
364 Advice to authours about publishing. [A.D. 1778. better of my bad humour from having been shewn them. You must consider, Madam; beforehand they may be bad, as well as good. Nobody has a right to put another under such a difficulty, that he must either hurt the person by telling the truth, or hurt himself by telling what is not true'.' BOSWELL. A man often shews his writings to people of eminence, to obtain from them, either from their goodnature, or from their not being able to tell the truth firmly, a commendation, of which he may afterwards avail himself.' JOHNSON. Very true, Sir. Therefore the man, who is asked by an authour, what he thinks of his work, is put to the torture, and is not obliged to speak the truth; so that what he says is not considered as his opinion; yet he has said it, and cannot retract it; and this authour, when mankind are hunting him with a cannister at his tail, can say, "I would not have published, had not Johnson, or Reynolds, or Musgrave, or some other good judge commended the work." Yet I consider it as a very difficult question in conscience, whether one should advise a man not to publish a work, if profit be his object; for the man may say, "Had it not been for you, I should have had the money." Now you cannot be sure; for you have only your own opinion, and the publick may think very differently.' SIR JOSHua Reynolds. 'You must upon such an occasion have two judgements; one as to the real value of the work, the other as to what may please the general taste at the time.' JOHNSON. But you can be sure of neither; and therefore I should scruple much to give a suppressive vote. Both Goldsmith's comedies were once refused; his first by Garrick', his second by Colman,
1 See post, March 16, 1779, for 'the exquisite address' with which Johnson evaded a question of this kind.
2 Garrick insisted on great alterations being made in The Good Natured Man. When Goldsmith resisted this, 'he proposed a sort of arbitration,' and named as his arbitrator Whitehead the laureate. Forster's Goldsmith, ii. 41. It was of Whitehead's poetry that Johnson said 'grand nonsense is insupportable.' Ante, i. 465. The Good Natured Man was brought out by Colman, as well as She Stoops to Conquer.
Aetat. 69.] A Catalogue of Johnson's Works.
who was prevailed on at last by much solicitation, nay, a kind of force, to bring it on'. His Vicar of Wakefield I myself did not think would have had much success. It was written and sold to a bookseller before his Traveller; but published after; so little expectation had the bookseller from it. Had it been sold after the Traveller, he might have had twice as much money for it, though sixty guineas was no mean price. The bookseller had the advantage of Goldsmith's reputation from The Traveller in the sale, though Goldsmith had it not in selling the copy'.' SIR JOSHUA REYNOLDS. 'The Beggar's Opera affords a proof how strangely people will differ in opinion about a literary performance. Burke thinks it has no merit.' JOHNSON. 'It was refused by one of the houses; but I should have thought it would succeed, not from any great excellence in the writing, but from the novelty, and the general spirit and gaiety of the piece, which keeps the audience always attentive, and dismisses them in good humour.'
We went to the drawing-room, where was a considerable increase of company. Several of us got round Dr. Johnson, and complained that he would not give us an exact catalogue of his works, that there might be a complete edition. He smiled, and evaded our entreaties. That he intended to do it, I have no doubt, because I have heard him say so; and I have in my possession an imperfect list, fairly written out, which he entitles Historia Studiorum. I once got from one of his friends a list, which there was pretty good reason to suppose was accurate, for it was written down in his presence by this friend, who enumerated each article aloud, and had some of them mentioned to him by Mr. Levett, in
1 See ante, ii. 239, note 2.
See ante, i. 482.
This play, written in ridicule of the musical Italian drama, was first offered to Cibber and his brethren at Drury Lane, and rejected; it being then carried to Rich had the effect, as was ludicrously said, of making Gay rich and Rich gay.' Johnson's Works, viii. 66. See ante, ii. 422.