The Spirit and Substance of Art

Aeschylus aesthetic aesthetic types aesthetician aims appears architecture Aristophanes artistic Banister Fletcher beauty become body Cézanne character color comic complex contrast creative cubist dance dancer decorative distortion drama effects emotional example experience expressionism expressionistic expressive Falstaff Fauvism feeling force free verse gained give Greek human idea ideals imagery imaginative impulses individual intensity interest interpretation John Brown's Body laughter light lines living mark mass material means method mind modern mood moral motor move movement naturalistic nature novel objects organization Othello painter painting patterns phrase picture play pleasure poem poet poetry post-expressionism problem program music psychic purpose relation reshaping response reveals rhythm rhythmic Rodin romanticism scheme sculpture sense shaping shows simple social space spirit Strange Interlude structure sublime surfaces sympathetic technique theme theory things tion tive tragedy tragic ture turn unity Vachel Lindsay values verism verse vision visual