the inn's best wine goes round from glass to glass, that we begin to throw off the restraint and fuse once more into a jolly fellowship. Half the party are to return to-night with the wagonette, and some of the others, loth to break up good company, will go with them a bit of the way and drink a stirrup-cup at Marlotte. It is dark in the wagonette, and not so merry as it might have been. The coachman loses the road. So-and-so tries to light fireworks with the most indifferent success. Some sing, but the rest are too weary to applaud; and it seems as if the festival were fairly at an end: the Nous avons fait la noce, And such is the burthen, even after we have come to Marlotte and taken our places in the court at Mother Antonine's. There is punch on the long table out in the open air, where the guests dine in summer weather. The candles flare in the night wind, and the faces around the punch are lit up, with shifting emphasis, against a background of complete and solid darkness. It is all picturesque enough; but the fact is, we are aweary. We yawn; we are out of the vein; we have made the wedding, as song says, and now, for pleasure's sake, let's make an end on't. When here comes striding into the court, booted to mid thigh, spurred and splashed, in a jacket of green cord, the great famous and redoubtable Blank; and in a moment the fire kindles again, and the night is witness of our laughter as he imitates Spaniards, Germans, Englishmen, picturedealers, all eccentric ways of speaking and thinking, with a possession, a fury, a strain of mind and voice, that would rather suggest a nervous crisis than a desire to please. We are as merry as ever when the trap sets forth again, and say farewell noisily to all the good folk going further. Then, as we are far enough from thoughts of sleep, we visit Blank in his quaint house, and sit an hour or so in a great tapestried chamber, laid with furs, littered with sleeping hounds, and lit up, in fantastic shadow and shine, by a wood fire in a mediæval chimney. And then we plod back through the darkness to the inn beside the river. How quick bright things come to confusion! When we arise next morning, the grey showers fall steadily, the trees hang limp, and the face of the stream is spoiled with dimpling raindrops. Yesterday's lilies encumber the garden walk, or begin, dismally enough, their voyage towards the Seine and the salt sea. A sickly shimmer lies upon the dripping house roofs, and all the colour is washed out of the green and golden landscape of last night, as though an envious man had taken a water-colour sketch and blotted it together with a sponge. We go out a-walking in the wet roads; but the roads about Grez have a trick of their own they go on for a while among clumps of willows and patches of vine, and then, suddenly and without any warning, cease and determine in some miry hollow or upon some bald knowe; you have a short period of hope, then right about face, and back the way you came! So we draw about the kitchen fire and play a round game of cards for ha'pence, or go to the billiard-room for a match at corks; and by one consent, a messenger is sent over for the wagonette-Grez shall be left to-morrow. To-morrow dawns so fair that two of the party agree to walk back for exercise, and let their knapsacks follow by the trap. I need hardly say they are neither of them French; for of all English phrases, the phrase "for exercise" is the least comprehensible across the straits of Dover. All goes well for a while with the pedestrians. The wet woods are full of scents in the noontide. At a certain cross, where there is a guardhouse, they make a halt, for the forester's wife is the daughter of their good host at Barbizon. And so there they are hospitably received by the comely woman, with one child in her arms and another prattling and tottering at her gown, and drink some syrup of quince in the back parlour, with a map of the forest on the wall, and some prints of love affairs and the great Napoleon hunting. As they draw near the Quadrilateral, and hear once more the report of the big guns, they take a byroad to avoid the sentries, and go on a while somewhat vaguely, with the sound of the cannon in their ears and the rain beginning to fall. The ways grow wider and sandier; here and there there are real sandhills as though by the sea-shore; the firwood is open and grows in clumps upon the hillocks, and the race of sign-posts is no more. One begins to look at the other doubtfully. "I am sure we should keep more to the right," says one; and the other is just as certain they should hold to the left. And now, suddenly, the heavens open and the rain falls "sheer and strong and loud," as out of a shower-bath. In a moment, they are as wet as shipwrecked sailors; they cannot see out of their eyes for the drift, and the water churns and gurgles in their boots. They leave the track, and try across country with a gambler's desperation; for it seems as if it were impossible to make the situation worse; and, for the next hour, go scrambling from boulder to boulder, or plod along paths that are now no more than rivulets, and across waste clearings where the scattered shells and brcken fir-trees tell all too plainly of the cannon in the distance. And meantime the cannon grumble out responses to the grumbling thunder. There is such a mixture of melodrama and sheer discomfort about all this, it is at once so gray and so lurid, that it is far more agreeable to read and write about by the chimney-corner, than to suffer in the person. At last, they chance on the right path, and make Franchard in the early evening, the sorriest pair of wanderers that ever welcomed English ale. Thence, by the Bois d'Hyver, the Ventes-Alexandre, and the Pins Brulés, to the clean. hostelry, dry clothes, and dinner. THE WOODS IN SPRING. I think you will like the forest best in the sharp early springtime, when it is just beginning to reawaken and innumerable violets peep from among the fallen leaves; when two or three people at most sit down to dinner; and, at table, you will do well to keep a rug about your knees, for? the nights are chill, and the salle-à-manger opens on the court. There is less to distract the attention for one thing, and the forest is more itself; it is not bedotted with artists' sunshades as with unknown mushrooms, nor bestrewn with the remains of English picnics. The hunting still goes on, and at any moment your heart may be brought into your mouth as you hear far-away horns, or you may be told by an agitated peasant that the Vicomte has gone up the avenue, not ten minutes since, “à fond de train, monsieur, et avec douze piqueurs." If you go up to some coign of vantage in the system of low hills that permeates the forest, you will see many different tracts of country, each of its own cold and melancholy neutral tint, and all mixed together and mingled one into the other at the seams. You will see tracts of leafless beeches of a faint yellowish gray, and leafless oaks a little ruddier in the hue. Then zones of pine of a solemn green, and, dotted among the pines or standing by themselves in rocky clearings, the delicate snow-white trunks of birches, spreading out into snow-white branches yet more delicate, and crowned and canopied with a purple haze of twigs. And then a long bare ridge of tumbled boulders, with bright sandbreaks between them, and wavering sandy roads among the bracken and brown heather. It is all rather cold and unhomely; it has not the perfect beauty, not the gemlike colouring, of the wood in the later year, when it is no more than one vast colonnade of verdant shadow, tremulous with insects, intersected here and there by lanes of sunlight set in purple heather. The loveliness of the woods in March is not, assuredly, of this blowsy, rustic type. It is made sharp with a grain of salt, with a touch of ugliness; it has a sting like the sting of bitter ale; you acquire the love of it as men acquire a taste for olives. And the wonderful clear, pure air wells into your lungs the while, by voluptuous inhalations, and makes the eyes bright, and sets the heart ticking to a new tune. Or rather, to an old tune; for you remember in your boyhood something akin to this spirit of adventure, this thirst for exploration, that now takes you masterfully by the hand, plunges you into many a deep grove and drags you over many a stony crest. It is as though the whole wood were full of friendly voices calling you farther in, and you turn from one side to another, like Buridan's donkey, in a maze of pleasure. Comely beeches send up their white, straight, clustered branches, barred with green moss, like so many fingers from a half-clenched hand. Mighty oaks stand to the ankles in a fine tracery of underwood; thence, the tall shaft climbs upward, and the great forest of stalwart boughs spreads out into the golden evening sky, where the rooks are flying and calling. On the sward of the Bois d'Hyver, the firs stand well asunder with outspread arms, like fencers saluting; and the air smells of resin all around, and the sound of the axe is rarely still. But strangest of all, and in appearance oldest of all, are the dim and wizard upland districts of young wood. The ground is carpeted with fir-tassel, and strewn with fir-apples and flakes of fallen bark. Rocks lie crouching in the thicket, guttered with rain, tufted with lichen, white with years and the rigours of the changeful seasons. Brown and yellow butterflies are sown and carried away again by the light airlike thistledown. The loneliness of these coverts is so excessive, that there are moments when pleasure draws to the verge of fear. You listen and listen for some noise to break the silence, till you grow half mesmerised by the intensity of the strain; your sense of your own identity is troubled; your brain reels, like that of some gymnosophyst poring on his own nose in Asiatic jungles; and should you see your own outspread feet, you see them, not as anything of yours, but as a feature of the scene around you. Still the forest is always, but the stillness is not always unbroken. You can hear the wind pass in the distance over the tree-tops; sometimes briefly, like the noise of a train; sometimes with a long steady rush, like the breaking of waves. And sometimes, close at hand, the branches move, a moan goes through the thicket, and the wood thrills to its heart. Perhaps you may hear a carriage on the road to Fontainebleau, a bird gives a dry continual chirp, the dead leaves rustle underfoot, or you may time your steps to the steady recurrent strokes of the woodman's axe. From time to time, over the low grounds, a flight of rooks goes by; and from time to time, the cooing of wild doves falls upon the ear, not sweet and rich and near at hand as in England, but a sort of voice of the woods, thin and far away, as fits these solemn places. Or you hear suddenly the hollow, eager, violent barking of dogs; scared deer flit past you through the fringes of the wood; then a man or two running, in green blouse, with gun and game-bag on a bandoleer; and then, out of the thick of the trees, comes the jar of rifle-shots. Or perhaps the hounds are out, and horns are blown, and scarlet-coated huntsmen flash through the clearings, and the solid noise of horses galloping passes below you, where you sit perched among the rocks and heather. The boar is afoot, and all over the forest and in all neighbouring villages, there is a vague excitement and a vague hope; for who knows whither the chase may lead and even to have seen a single piqueur or spoken to a single sportsman, is to be a man of consequence for the night. Besides men who shoot and men who ride with the hounds, there are few people in the forest, in the early spring, save woodcutters plying their axes steadily, and old women and children gathering wood for the fire. You may meet such a party coming home in the twilight: the old woman laden with a faggot of chips, and the little ones hauling a long branch behind them in her wake. That is the worst of what there is to encounter; and if I tell you of what once happened to a friend of mine, it is by no means to tantalize you with false hopes; for the adventure was unique. It was on a very cold, still, sunless morning, with a flat grey sky and a frosty tingle in the air, that this friend (who shall here be nameless) heard the notes of a key-bugle played with much hesitation, and saw the smoke of a fire spread out along the green pinetops, in a remote uncanny glen, hard by a hill of naked boulders. He drew near warily, and beheld a picnic party seated under a tree in an open. The old father knitted a sock, the mother sat staring at the fire. The eldest son, in the uniform of a private of dragoons, was choosing out notes on a key-bugle. Two or three daughters lay in the neighbourhood picking violets. And the whole party as grave and silent as the woods around them! My friend watched for a long time, he says; but all held their peace; not one spoke or smiled; only the dragoon kept choosing out single notes upon the bugle, and the father knitted away at his work, and made strange movements the while with his flexible eyebrows. They took no notice whatever of my friend's presence, which was disquieting in itself, and increased the resemblance of the whole party to mechanical waxworks. Certainly, he affirms, a wax figure might have played the bugle with more spirit than that strange dragoon. And as this hypothesis of his became more certain, the awful insolubility of why they should be left out there in the woods with nobody to wind them up again when they ran down, and a growing disquietude as to what might happen next, became too much for his courage, and he turned tail, and fairly took to his heels. It might have been a singing in his ears, but he fancies he was followed, as he ran, by a peal of Titanic laughter. Nothing has ever transpired to clear up the mystery; it may be they were automata; or it may be (and this is the theory to which I lean myself), that this is all another chapter for Heine's "Gods in Exile ;" that the upright old man with the eyebrows was no other than Father Jove, and the young dragoon with the taste for music either Apollo or Mars. MORALITY. Strange indeed is the attraction of the forest for the minds of men. Not one nor two only, but a great chorus of grateful voices have arisen to spread abroad its fame. Half the famous writers of modern France have had their word to say about Fontainebleau. Chateaubriand, Michelet, Béranger, George Sand, de Sénancour, Flaubert, Murger, the brothers Goncourt, Théodore de Banville, each of these has done something to the eternal praise and memory of these woods. Even at the very worst of times, even when the picturesque was anathema in the eyes of all Persons of Taste, the forest still preserved a certain reputa |
