The Handbook of DramatherapyRoutledge, 29. sep. 2005 - 244 strani Dramatherapy is being increasingly practised in a range of therapeutic settings and is of growing interest to theatre practitioners and teachers. The Handbook of Dramatherapy brings together five authors who have considerable experience of clinical, artistic and educational work to provide an easy-to-read introduction to the major models of dramatherapy. The authors explain the differences between dramatherapy and psychodrama, discuss its relationship with theatre art, look at assessment and evaluation techniques, and argue the need for more appropriate methods of research for this increasingly popular form of therapeutic treatment. The Handbook of Dramatherapy provides a comprehensive basis for theory and practice and will be an invaluable resource for all students of dramatherapy and theatre. |
Iz vsebine knjige
Zadetki 1–5 od 37
Stran
... can be understood on the one hand asa separate reality within which we engage and interact with our imaginations, and on the other hand as intimately connected with all of our livesand personal stories, wecan begin to reflecton its ...
... can be understood on the one hand asa separate reality within which we engage and interact with our imaginations, and on the other hand as intimately connected with all of our livesand personal stories, wecan begin to reflecton its ...
Stran
... can be observed in the dramaticplayof children.Children's dramaticplay reflectsthe norm of thechild's familial andsocial world. D R A MA AN D D R AM AT IC P L AY We are all familiar with the games and dramasthat occupy extendedtime with ...
... can be observed in the dramaticplayof children.Children's dramaticplay reflectsthe norm of thechild's familial andsocial world. D R A MA AN D D R AM AT IC P L AY We are all familiar with the games and dramasthat occupy extendedtime with ...
Stran
... can be held constantasamodelfor a dramatherapy group or individual practice.Thechoice about which model, or whether it shouldbea combinationof several, is dictated bytheneeds of the client(s) and the skills andexperienceof the ...
... can be held constantasamodelfor a dramatherapy group or individual practice.Thechoice about which model, or whether it shouldbea combinationof several, is dictated bytheneeds of the client(s) and the skills andexperienceof the ...
Stran
... can be transformed into different things; soft mats; cassette player which also records; music and blank tapes; sensory objectsforsense play; simple costumes: hats, cloaks, masks, glasses; pieces of different textured material; mirrors ...
... can be transformed into different things; soft mats; cassette player which also records; music and blank tapes; sensory objectsforsense play; simple costumes: hats, cloaks, masks, glasses; pieces of different textured material; mirrors ...
Stran
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Druge izdaje - Prikaži vse
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Anna Chesner,Brenda Meldrum,Steve Mitchell Nfa Omejen predogled - 2005 |
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Brenda Meldrum,Anna Chesner,Steve Mitchell Nfa Predogled ni na voljo - 2015 |
Pogosti izrazi in povedi
action activity actor amathera andthe Antonin Artaud appropriate Artaud arts therapies asked assessment attachment theory atthe BADth behaviour bythe canbe Cattanach Centre character child client create creative Dartmoor developmental director drama dramatherapy group dramatherapy session Dramatherapy Theory dramatic play emotional evaluation everyday experience explore expression feelings fictional fromthe Gersie Goffman group members Helen hereandnow images important improvisation individual interaction inthe inthis involves isan itis Jennings Jessica Kingsley journey Lahad Landy London makebelieve mask metaphor model of dramatherapy Mooli needs ofthe onthe paradigm participants percussive instruments person Peter Brook play therapy practice protagonist psychodrama psychological psychotherapy reality relationship ritual theatre role roleplay Routledge scene sculpts shaman social space stage Steve Nash story Storymaking structure symbolic thatis theatre director theatre structures theatrical thechild theclient thegroup therapeutic process therapeutic theatre therapist thetherapist tobe tothe University of Hertfordshire warmup withthe Yalom