The Handbook of DramatherapyRoutledge, 29. sep. 2005 - 244 strani Dramatherapy is being increasingly practised in a range of therapeutic settings and is of growing interest to theatre practitioners and teachers. The Handbook of Dramatherapy brings together five authors who have considerable experience of clinical, artistic and educational work to provide an easy-to-read introduction to the major models of dramatherapy. The authors explain the differences between dramatherapy and psychodrama, discuss its relationship with theatre art, look at assessment and evaluation techniques, and argue the need for more appropriate methods of research for this increasingly popular form of therapeutic treatment. The Handbook of Dramatherapy provides a comprehensive basis for theory and practice and will be an invaluable resource for all students of dramatherapy and theatre. |
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... story in time, space and action in order that we can take it in as a piece; it also expands the story so that we have a new perception or understanding. The theatre, through spectacle,helps us tounderstand whoweareandwhere we ...
... story in time, space and action in order that we can take it in as a piece; it also expands the story so that we have a new perception or understanding. The theatre, through spectacle,helps us tounderstand whoweareandwhere we ...
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... story thatis beingpresented for us.It speaks tousand for usas bothindividuals and groups, anditis unique tothe particular audience whoare present.Each performance is different from the nextone, however well known the story;the actors ...
... story thatis beingpresented for us.It speaks tousand for usas bothindividuals and groups, anditis unique tothe particular audience whoare present.Each performance is different from the nextone, however well known the story;the actors ...
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... story's premise. The power oftheatreis our engagement with it, withboth ofour brain hemispheres; the left hemisphere to appeal toourlogic and intellect and the right hemisphere toengage our intuition, creativity, artistry and dramatic ...
... story's premise. The power oftheatreis our engagement with it, withboth ofour brain hemispheres; the left hemisphere to appeal toourlogic and intellect and the right hemisphere toengage our intuition, creativity, artistry and dramatic ...
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... story and drama come together in a single entity;we are engaged by the juxtaposition of visual images,sounds, movement, verbal statementsat sensory, emotional and thinking levels.Itissaidbymany to be themost dangerous of the arts and ...
... story and drama come together in a single entity;we are engaged by the juxtaposition of visual images,sounds, movement, verbal statementsat sensory, emotional and thinking levels.Itissaidbymany to be themost dangerous of the arts and ...
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... stories, wecan begin to reflecton its therapeutic efficacy.The fact thatitcreates dramatic distance makes it more possible to interact with aspects of one's own life and to understand these aspects which previously were too close to us ...
... stories, wecan begin to reflecton its therapeutic efficacy.The fact thatitcreates dramatic distance makes it more possible to interact with aspects of one's own life and to understand these aspects which previously were too close to us ...
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The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Anna Chesner,Brenda Meldrum,Steve Mitchell Nfa Omejen predogled - 2005 |
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Brenda Meldrum,Anna Chesner,Steve Mitchell Nfa Predogled ni na voljo - 2015 |
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