To begin, then, with Shakespeare, He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul, All the images of Nature were still present to him, and he drew them, not laboriously, but luckily: when he describes... English Prose (1137-1890) - Stran 148uredili: - 1909 - 544 straniCelotni ogled - O knjigi
| James Mason - 1875 - 674 strani
...character of Shakespeare that has ever been written : — ' To begin, then, with Shakespeare : he is the man who of all modern, and perhaps ancient poets,...who accuse him to have wanted learning give him the greatercommendation. He was naturally learned ; he needed not the spectacles of books to read nature... | |
| Samuel Johnson - 1908 - 256 strani
...yet not rectified, nor his allusions understood ; yet then did Dryden pronounce " that Shakespeare was the man, who, of all modern and perhaps ancient...them not laboriously, but luckily : When he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give... | |
| James G. McManaway - 1994 - 64 strani
..."learned" poet of the reign of Charles II, sums up the situation neatly in his Of Dramatic Poesy, An Essay: To begin, then, with Shakespeare: he was the man who...give him the greater commendation: he was naturally learn'd; he needed not the spectacles of books to read nature, he look'd inwards, and found her there.... | |
| Sir Walter Alexander Raleigh - 1909 - 330 strani
...dressing of his lines. Milton celebrates his "native woodnotes wild." "He was the man," says Dryden, " who of all modern, and perhaps ancient poets, had...but luckily ; when he describes anything, you more V than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater... | |
| James G. McManaway - 1990 - 442 strani
..."learned" poet of the reign of Charles II, sums up die situation neatly in his Of Dramatic Poesy, An Essay: To begin, then, with Shakespeare: he was the man who...give him the greater commendation: he was naturally learn 'd; he needed not the spectacles of books to read nature, he look'd inwards, and found her there.... | |
| Michael J. Sidnell - 1991 - 332 strani
...many faults. I will take the pattern of a perfect play from Ben |onson, who was a careful and learned observer of the dramatic laws, and from all his comedies...them, not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give... | |
| Brian Vickers - 1995 - 585 strani
...was yet not rectified, nor his allusions understood; yet then did Dryden pronounce that Shakespeare 'was the man, who, of all modern and perhaps ancient...them not laboriously, but luckily. When he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give... | |
| Alan Sinfield - 1996 - 172 strani
...advanced as being 'natural' against the regulatory and formulaic Corneille and other French writers: To begin then with Shakespeare. He was the man who,...him, and he drew them not laboriously, but luckily. . . . Those who accuse him to have wanted learning give him the greater commendation. He was naturally... | |
| Paul Henry Lang - 1996 - 794 strani
...What Dryden, in his Essay on Dramatic Poesy, said concerning Shakespeare applies equally to Handel: "All the images of nature were still present to him,...anything, you more than see it, you feel it too." Yet while Handel describes a landscape or a bucolic scene with incomparable felicity, his music can... | |
| Howard Anderson - 1967 - 429 strani
...proportion in the name of the disegno interno, the inward drawing, or idea. 36 ) Shakespeare, says Dryden, was "the man who of all modern, and perhaps ancient...him, and he drew them, not laboriously, but luckily " 37 The distinction between luck and labor, made by Dryden in favor of luck and Shakespeare, exploited... | |
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