 | Charlotte Eliza Sargeant - 1852 - 234 strani
...that I intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion;...from running so great a risk. Reynolds began a very ingenjous and elegant dissertation on the state of the public taste in this country, and the danger... | |
 | Shearjashub Spooner - 1853 - 336 strani
...the characters as they had actually appeared on the scene, the Archbishop of York called on Eeynolds, and asked his opinion; they both came to my house to dissuade me from running so great a risk. Eeynolds began a very ingenious and elegant dissertation on the state of the public taste in this country,... | |
 | Allan Cunningham - 1859 - 288 strani
...that I intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion...adopt the costume of antiquity, as more becoming the great ness of my subject than the modem garb of European • warriors. I answered, that the event to... | |
 | Englishmen - 1863 - 912 strani
...the characters as they actually appeared on the scene, the archbishop of York called on Sir Joshua Reynolds, and asked his opinion ; they both came to...house to dissuade me from running so great a risk. 1 remarked, that the event to be commemorated happened in the year 1758, in a region of the world unknown... | |
 | Ralph Nicholson Wornum - 1864 - 674 strani
...that I intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds and asked his opinion ;...of contempt and ridicule, and concluded by urging rue earnestly to adopt the costume of antiquity, as more becoming the greatness of my subject than... | |
 | Art - 1868 - 220 strani
...opinion ; they both called upon West to dissuade him from running so great a risk. Reynolds warned him of the danger which every innovation incurred of contempt and ridicule ; and concluded by urging him to adopt the costume of antiquity as more becoming the greatness of the subject than the garb of... | |
 | Cecilia Lucy Brightwell - 1872 - 340 strani
...appeared on the scene, the Archbishop of York called on Reynolds and PAINTS THE DEATH OF WOLFE. 189 asked his opinion. They both came to my house to dissuade me from running so great a risk, and earnestly urged me to adopt the costume of antiquity. I answered that the event to be commemorated... | |
 | John Diprose - 1878 - 336 strani
...opinion ; they both called upon West to dissuade him from running so great a risk. Reynolds warned him of the danger which every innovation incurred of contempt and ridicule ; and concluded by urging him to adopt the costume of antiquity as more becoming the greatness of the subject than the garb of... | |
 | John Sherer - 1879 - 322 strani
...about AD 33, she starved herself to death. they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion....costume of antiquity, as more becoming the greatness of niy subject than the modern garb of European warriors. I answered, that the event to be commemorated... | |
 | Deristhe Levinte Hoyt - 1890 - 238 strani
...that I intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds and asked his opinion. They both came to my house tp dissuade me from running so great a risk. Reynolds began a very ingenious and elegant dissertation... | |
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When it was understood," said the artist, "that I intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion they both came to my house to dissuade me from running so great... 
