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" It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. "
The Miscellaneous Prose Works of Sir Walter Scott, Bart - Stran 307
avtor: Walter Scott - 1834
Celotni ogled - O knjigi

McGraw-Hill Encyclopedia of World Drama: An International Reference Work in ...

1984
...century later, Samuel Johnson (1709-1784) in his famous Preface to Shakespeare's plays (1765) stated: "It is false, that any representation is mistaken...credible, or, for a single moment, was ever credited." And in 1817 Samuel Taylor Coleridge (1772-1834) added his voice to the defeat of verisimilitude with...
Omejen predogled - O knjigi

Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era

Frederick Burwick - 2010
...involved. After having asserted that no "representation is mistaken for realiiy," that no "dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited," Johnson goes on to argue that credibility derives from the contemplation of the emotional effects:...
Omejen predogled - O knjigi

Aesthetic Illusion: Theoretical and Historical Approaches

Frederick Burwick, Walter Pape, University of California (System). Humanities Research Institute - 1990 - 478 strani
...examined before: "It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited."50 Certainly one should be able to entertain the change on the stage from one place to another...
Omejen predogled - O knjigi

Sources of Dramatic Theory: Volume 2, Voltaire to Hugo

D. J. Conacher - 1991 - 292 strani
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or. for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next...
Omejen predogled - O knjigi

William Shakespeare: The Critical Heritage, Količina 5

Brian Vickers - 1995 - 568 strani
...pronounces to be false. It is false that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next...
Omejen predogled - O knjigi

Shakespeare's Theory of Drama

Pauline Kiernan - 1998 - 232 strani
...critic, 'by the authority of Shakespeare', that he must assume 'as an unquestionable principle' that '// is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited' (my emphasis)3. In our own century, semioticians have refuted the Coleridgean position. In The Semiotics...
Omejen predogled - O knjigi

Samuel Johnson's "general Nature": Tradition and Transition in Eighteenth ...

Scott D. Evans - 1999 - 168 strani
...statement, refutes: "It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited" (76). Johnson foregrounds the question of what makes drama engage the intellectual sympathy of audiences...
Omejen predogled - O knjigi

The Winter's Tale

William Shakespeare - 2001 - 500 strani
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. ' The objection arising from the impossibility of passing the first hour at Alexandria, and the next...
Omejen predogled - O knjigi

The Secret History of Domesticity: Public, Private, and the Division of ...

Michael McKeon - 2006 - 904 strani
...drama credible." But it "is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. . . . Delusion, if delusion be admitted, has no certain limitation .... The delight of tragedy proceeds...
Omejen predogled - O knjigi




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