 | David Graham - 1925 - 380 strani
...in trying to arouse such emotions no attempt is to be made to confound representation with reality. "It is false that any representation is mistaken for...credible, or, for a single moment, was ever credited. . . . Imitations produce pain or pleasure, not because they are mistaken for realities, but because... | |
 | 1909 - 498 strani
...pronounces to be false. It is false, that any representation is mistake for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | Gay Wilson Allen, Harry Hayden Clark - 1962 - 676 strani
...position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for...credible, or for a single moment was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | Thora Burnley Jones, Bernard De Bear Nicol - 1976 - 200 strani
...of time and place. 'It is false that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment was ever credited.' Drama can only be credited, he says in a pregnant phrase, 'with all the credit due to drama'. Indeed,... | |
 | J. L. Styan - 1983 - 308 strani
...remaining aware of its artifice. It is appropriate to recall Dr Johnson's apparent self-contradiction: 'It is false, that any representation is mistaken...credible, or, for a single moment, was ever credited,' and 'Delusion, if delusion be admitted, has no certain limitation.'18 Bethell set himself the task... | |
 | McGraw-Hill, inc - 1984 - 538 strani
...century later, Samuel Johnson (1709-1784) in his famous Preface to Shakespeare's plays (1765) stated: "It is false, that any representation is mistaken...credible, or, for a single moment, was ever credited." And in 1817 Samuel Taylor Coleridge (1772-1834) added his voice to the defeat of verisimilitude with... | |
 | Frederick Burwick - 2010 - 357 strani
...involved. After having asserted that no "representation is mistaken for realiiy," that no "dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited," Johnson goes on to argue that credibility derives from the contemplation of the emotional effects:... | |
 | Michael J. Sidnell - 1991 - 298 strani
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or. for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | Brian Vickers - 1995 - 585 strani
...pronounces to be false. It is false that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
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It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. 
