Amandus Ivanschiz: His Life and Music. With a Thematic Catalog of Works

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Musica Iagellonica, 15. mar. 2016 - 529 strani
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The ensembles associated with monastery and parish churches were a very important element of musical life in Central Europe around the mid-eighteenth century. Yet the music created by early Classical composers, which constituted the core of their repertoire, remains poorly explored. Fr. Amandus Ivanschiz OSPPE (1727–1758) was one of such musicians, active in monasteries in Ranna, Wiener Neustadt, Rome, and Graz. Recent findings reveal that he died in 1758 at the young age of 31, which is much earlier than previously thought. Consequently, the dating of his compositions and their position in the context of the transformation of musical language in the middle of the eighteenth century needs to be revisited.

This volume is the first to provide a critical evaluation of the attribution of works ascribed to Ivanschiz, which brought to light the true scope and reception of his oeuvre. The fact that there are nearly 300 copies of his works preserved in various archives across eleven European countries indicates that his music was readily performed and disseminated, and places Ivanschiz among the most popular monk-composers of his epoch.

(From the Epilogue)

 

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Vsebina

Preface
9
Biography
21
Musical Sources Overview
49
Variants and Versions
97
of Selfcontained Sections of a Composition
120
Formal Structures
174
Ivanschizs Musical Language
270
Epilogue
326
IIb Litanies Preserved in Fragments or Lost
405
a Varia of Confirmed Attribution
413
IIIb Varia Preserved in Fragments or Lost
438
a String Trios and other Chamber Works of Confirmed Attribution
457
Vb String Trios and other Chamber Works Preserved in Fragments
467
Appendix
475
Print of a Sermon Preached During Ivanschizs First Mass facsimile
481
Bibliography
499

Introduction
331
A VOCALINSTRUMENTAL WORKS
339
a Litanies of Confirmed Attribution
389

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O avtorju (2016)

Maciej Jochymczyk is employed at the Musicology Institute of the Jagiellonian University (Cracow), where, besides teaching, he is also involved in several research projects. His interests center upon Central European music of the 17th and 18th century, problems of musical editing, music philology, source studies and performance practice. He has published three books as well as several critical editions and articles.

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